chaptalisation
Why do winemakers chaptalise wine?
(Image credit: ScotStock / Alamy Stock Photo)

We explain what it means when wineries talk about chaptalising their wines.

What is chaptalisation? – ask Decanter

One such process is chaptalisation, named after its French originator Jean Antoine Chaptal.

Chaptalisation is where sucrose is added to grape juice prior to fermentation, in order to enrich the juice and achieve a higher level of potential alcohol.

Can you taste chaptalisation?

It typically doesn’t leave a lot of sweetness in the finished wine, because yeast will convert the sugar to alcohol. However, chaptalisation has been criticised for contributing to some wines lacking balance.

Cool climate regions

In cooler climate regions such as England, France, Germany and New Zealand, it can be common to chaptalise and especially in years when bad weather means that grapes could fully ripen. Acidity levels fall and sugar levels rise in grapes as they ripen.

chaptalisation, Lyme Bay winery

Lyme Bay winery, England. Chaptalisation is practised in many cool climate regions.
(Image credit:  Lyme Bay Facebook)

‘You want to do it as little as possible’


However, chaptalisation is strictly regulated. Germany does not allow it for Prädikatswein, for example, and it is banned in several countries, including Italy, Australia and South Africa.

‘You want to chaptalise as little as possible,’ says winemaker Liam Idzikowski from Lyme Bay Winery in Devon, south-west England.

‘When you add sugar you’re diluting the wine, essentially, so for every kilogram of sugar you add, you get 0.66 litres of extra wine that hasn’t got any flavour at all.’

At Lyme Bay, Idzikowski aims for 10%-10.5% potential alcohol in the grapes at harvest, and will chaptalise to get it up to this level if there’s a shortage of sugar in the grapes at the time of picking.

rosé, red and white wine

(Image credit: Credit Unknown)

Difficult vintages

Parts of Burgundy chaptalised wines after the difficult 2016 harvest and in Bordeaux – where it is rarely done – châteaux were also allowed to do so in the tough 2013 vintage.

Based on copy by Chris Wilson in the September issue of Decanter magazine. Additional reporting and editing for Decanter.com by Ellie Douglas.


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Ellie Douglas
Digital Editor

Ellie Douglas is digital editor at Decanter.

She has worked at Decanter since 2013, when she joined as editorial assistant, then moving to the web team as assistant web editor in 2015.

Over her years at Decanter, Ellie has helped to significantly grow Decanter’s social media presence and with the launch of Decanter Premium in 2017.

She holds her WSET Level three in Wine, and in 2018 was shortlisted for PPA Digital Content Champion of the Year.