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Sorry limeys, but we’re not all so simplistic. Linda Murphy looks at the Californian wine palate.

As Stateside enjoys a more prominent position within the magazine for one month only, what could be juicier than a debate over the Californian wine palate, which craves ripe, concentrated, high-alcohol wines, and the European palate, which favours less potent, more structured and ageworthy wines?

Well, that sound you hear in London is the yawn of the Average Joe wine drinker in the US. Joe loves Californian wine, without guilt, and doesn’t feel the need to talk about it the next morning. He likes his wine rich, luscious and lip-smacking, isn’t concerned about alcohol, acidity or food-friendliness, and buys a bottle today to down tonight. Joe drinks what he knows, and that’s sun-ripened California fruit in a bottle. Joe don’t ‘do’ debate.

Of course, I have oversimplified the profile of the US wine drinker and surely insulted the small (yet growing) number of Americans who investigate wine from all over the world, who enjoy crackling acidity, firm structure and underlying complexity, who choose wine to complement a meal, and who aren’t guided solely by the 90-point scores of critics.

But the only substantial discussion being held in the US today about Californian wine vs European wine tastes is by palate-fatigued wine writers, savvy sommeliers, some speciality retailers and the all-too-few consumers who have travelled abroad, sipped from the global wine fountain and returned refreshed.

Most Americans drink wine not because of tradition, but because they know it as a cocktail, or consume it by cardiologists’ orders. They couldn’t care less about what the rest of the world thinks, or drinks, and that’s okay by me. Just drink the wine now, and figure out why later.

Still, I’m unsettled by this notion of labelling palates as Californian, European or otherwise. Doing so suggests that place of residence tells us to drink wines from one region but not another. It ignores the fact that wine preferences are formed by exposure and experience, not DNA. It reduces the fascinatingly complex subject of sensory perception to an either-or, apples-oranges, black-white dilemma.

As the planet gets warmer and winemaking and viticulture technology improve, wines from all over the globe become more alike. Some of my more critical colleagues dispute this, but in my tastings, California wines are beginning to show more freshness and acidity. Minerality is a mantra. Mitigating high alcohol is a mission of the most creditable winemakers. Excessive oak is falling out of favour. Vines are being planted in cooler climates to preserve acidity and structure.

In Europe, Bordeaux is gaining opulence, even in difficult vintages. For better or worse, Grüner Veltliners are edging past 14% alcohol. Rioja’s old-fashioned taste is becoming more modern. Hot years like 2003 leave red Burgundy tasting very like California Pinot Noir in a cool year.

There is no arguing that California turns out far too many liquid-velvet, sweet and alcoholic (15% or more) wines that have no backbone, overwhelm food and fall apart with age. Equally egregious are the angular, tart wines from France that find their way to the US, vapid ambassadors to a country still politically resistant to anything French except fries. Yet in between these poles is a wealth of wines from both continents that are worthy of anyone’s attention, no matter which side of the Atlantic one’s palate is formed.

If you think elegant, cellarworthy California Cabernet begins and ends with Ridge Monte Bello and Stag’s Leap Wine Cellars, try Cathy Corison’s Napa Cabernet Sauvignons – bright and crisp, with tannins to age and a subtly pleasant herbal complexity, at 13.5% alcohol.

The Chardonnays of David Ramey from the Hyde and Hudson vineyards in Napa Carneros and the Ritchie Vineyard in Russian River Valley are above 14% alcohol, deeply fruited and dense, yet also have sparkling minerality, crisp acidity and a sublime balance to rival Burgundy’s best.

https://www.decanter.com/premium/david-ramey-interview-394347/

Corison and Ramey aren’t alone in producing California wines that offer the best of both worlds, attractive to my UK friends and to Average Joe alike. Drinking wine means celebrating differences; let’s not label those differences as being from one continent or another, good or bad.

What Linda’s Been Drinking This Month.

CHEAP THRILLS FOR THE GRILL

For smoky, grilled meats, pizzas and veggies, I love the spicy richness of the Annie’s Lane McLaren Vale Shiraz from Australia, the juicy yet structured Altos Las Hormigas Malbec from Argentina, and the briary, balanced Murphy-Goode Liar’s Dice Zinfandel from Sonoma County. At less than $20 a bottle, they’re perfect for a barbecue crowd.

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Linda Murphy
Decanter Magazine, US Expert, Wine Writer & Editor
Linda Murphy is co-author, with Jancis Robinson MW, of “American Wine: The Ultimate Companion to the Wines and Wineries of United States,” which celebrates winemaking in all 50 states, and Americans’ rapidly growing love of wine – particularly locally produced wine. Based in Sonoma County, Calif., Linda is the managing editor for Sonoma magazine, columns editor for Vineyard & Winery Management magazine, columnist for WineReviewOnline and a contributor to Decanter magazine. She is also Contributing Editor to Food & Wine magazine’s Wine Guide, and her writing has appeared in Cooking Light and Food & Wine magazines, Sommelier Journal, Men’s Health, epicurous.com and elsewhere. A sportswriter for 13 years before entering the wine business, Linda was the first wine section editor of The San Francisco Chronicle, where she won two James Beard Awards. She has been a speaker at the New Zealand Winegrowers Export Conference, Culinary Institute of America Greystone, Wine Tourism Conference, Food & Wine Classic in Aspen, Association of Food Journalists Conference, Texas Hill County Wine & Food Festival, and Wines of Chile Marketing Conference. She also judges eight to 10 wine competitions a year, home and abroad.