Barbera d'Asti Panel Tasting
(Image credit: Credit Unknown)

See what our judges thought about Barbera d'Asti in this panel tasting from the May 2017 issue of Decanter magazine...

From fresh, unoaked wines to more serious, complex examples – including from the new Nizza DOCG – there’s great interest and value to be had, says John Stimpfig.

The scores:

90 wines tasted

Exceptional – 0

Outstanding – 3

Highly Recommended – 28

Recommended – 37

Commended – 17

Fair – 4

Poor – 1

Faulty – 0

How to read Decanter wine scores

The judges:

Andrea Briccarello, Michael Garner & Susan Hulme MW


Click here to view the tasting notes and scores for all 90 Barbera d’Asti tasted


Wine lovers now appreciate that Barbera d’Asti is much more than a simple, fresh red, and that the top wines have a very distinctive character. The tasters agreed there was also a positive ‘halo effect’ from Barbera’s association with the top Barbaresco and Barolo producers.

The wines below represent the five best scoring wines in the tasting.

Top Barbera d’Asti wines of the tasting:


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The vintages

Barbera may be versatile, but vintage still matters. The panel expected the 2015s to shine and, by and large, they did – very brightly – with lovely ripeness and juicy

freshness. By contrast, the 2014s were more lean and acidic, but still ventured several very good examples. Whilst Hulme enjoyed the impressive 2013s, not all lived up to the vintage’s very good reputation. The 2012s from that hot, dry year were a notch or two lower.

Winemaking

All three experts were also in unison on winemaking quality, which was both high and consistent, with few faults and good balance. Inevitably, though, the issues of

oak treatment and alcohol cropped up in the discussion. Equally inevitably, there were wines which the panel felt overwrought. ‘Some winemakers think that because

Barbera is a bit of a chameleon, you can do whatever you want to it,’ noted Briccarello. ‘The danger in that is you overdo the oak or create a tannic Cabernet

Sauvignon feel to the wine which doesn’t work because it is not really authentic.’

Nizza

Several of the most ambitious wines came from the new Nizza DOCG, which did show more depth and concentration. Interestingly, this flight split the panel. Garner felt too many were ‘a little overdone’. Briccarello also wondered whether this new appellation really helped consumers or just ended up confusing them. By contrast, Hulme argued that the Nizza wines had something different to say and were a bit more ‘demanding’, which she recognised and admired.

In Piedmont, it is much loved by the locals. It is the wine they drink every day with dinner, with friends, in the summer lightly chilled; in the winter, the richer styles offer warmth and comfort.


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Il Falchetto, Bricco Paradiso, Barbera d'Asti, Superiore, Piedmont, Italy, 2013

My wines
Locked score

A melange of dried fruit and cordial notes to start off, leading to spicy, oaky shades. The aromas and flavours are still so fresh and...

2013

PiedmontItaly

Il FalchettoBarbera d'Asti

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Ferraris, La Regina, Barbera d'Asti, Superiore, Piedmont, Italy, 2013

My wines

95

Seductive aromas of dried violets dance around the glass on first sniff. The palate is vibrant with generous dark ripe fruit content, with an aftertaste reminiscent of berry jam.

2013

PiedmontItaly

FerrarisBarbera d'Asti

Olim Bauda, La Villa, Barbera d'Asti, Piedmont, Italy, 2015

My wines

95

Rich blackberries sprinkled with oak spice start us off here, followed by intriguing sappy flavours coated in delectable creamy oak.

2015

PiedmontItaly

Olim BaudaBarbera d'Asti

Vietti, La Crena, Barbera d'Asti, Superiore Nizza, Piedmont, Italy, 2013

My wines

94

An exuberant and vinous nose of blueberries and oaky-toned dark fruit flows effortlessly onto a palate full of clove and black pepper. There is a real personality to this wine, all underpinned by excellent acidity.

2013

PiedmontItaly

ViettiBarbera d'Asti

Vigne dei Mastri, SuperBa, Barbera d'Asti, Superiore, Piedmont, Italy, 2012

My wines

93

Immediate sweet oak aromas come across, intermingling with blueberry jam and ripe dark cherry. Dark chocolate flavours are encased in firm smoky oak and refined tannins. It is a powerful, robust, youthful style.

2012

PiedmontItaly

Vigne dei MastriBarbera d'Asti

Il Falchetto, Bricco Paradiso, Barbera d'Asti, Superiore, Piedmont, Italy, 2013

My wines
Locked score

A melange of dried fruit and cordial notes to start off, leading to spicy, oaky shades. The aromas and flavours are still so fresh and...

2013

PiedmontItaly

Il FalchettoBarbera d'Asti

Decanter Premium logo

Join Decanter Premium to unlock all our wines tastings and notes

Join Now

Ferraris, La Regina, Barbera d'Asti, Superiore, Piedmont, Italy, 2013

My wines

95

Seductive aromas of dried violets dance around the glass on first sniff. The palate is vibrant with generous dark ripe fruit content, with an aftertaste reminiscent of berry jam.

2013

PiedmontItaly

FerrarisBarbera d'Asti

Olim Bauda, La Villa, Barbera d'Asti, Piedmont, Italy, 2015

My wines

95

Rich blackberries sprinkled with oak spice start us off here, followed by intriguing sappy flavours coated in delectable creamy oak.

2015

PiedmontItaly

Olim BaudaBarbera d'Asti

Vietti, La Crena, Barbera d'Asti, Superiore Nizza, Piedmont, Italy, 2013

My wines

94

An exuberant and vinous nose of blueberries and oaky-toned dark fruit flows effortlessly onto a palate full of clove and black pepper. There is a real personality to this wine, all underpinned by excellent acidity.

2013

PiedmontItaly

ViettiBarbera d'Asti

Vigne dei Mastri, SuperBa, Barbera d'Asti, Superiore, Piedmont, Italy, 2012

My wines

93

Immediate sweet oak aromas come across, intermingling with blueberry jam and ripe dark cherry. Dark chocolate flavours are encased in firm smoky oak and refined tannins. It is a powerful, robust, youthful style.

2012

PiedmontItaly

Vigne dei MastriBarbera d'Asti

John Stimpfig
Decanter Magazine, Wine Writer & Editor

John Stimpfig is an award-winning wine writer who served as Decanter’s content director from 2014 to 2019. He previously worked as a contributing editor for Decanter.

He has been writing about wine since 1993 and his work has appeared in the Financial Times, The Observer, The Sunday Times, Food&Wine and How To Spend It Magazine - to name a few.

His wine writing has won numerous accolades, including three Louis Roederer Feature Writer of the Year Awards.