A drink with… Pascal Jolivet
One of the Loire’s most famous names and a long-time producer of Sancerre and Pouilly-Fumé, Jolivet has some surprising views on Sauvignon Blanc
Get our daily fine wine reviews, latest wine ratings, news and travel guides delivered straight to your inbox.
You are now subscribed
Your newsletter sign-up was successful
‘I don’t really like Sauvignon Blanc. Too many are unbalanced, too exuberant and aromatic, and lacking in texture – it doesn’t make you want a second glass. If you use commercial yeasts in the winemaking, it goes quickly to passion fruit, exuberance and so on; but if you use indigenous yeasts, it becomes more about the soil.
‘We wanted to address the confusion between Pouilly-Fumé [Loire Sauvignon Blanc] and Pouilly-Fuissé [Chardonnay from Mâcon in Burgundy], so we’ve relabelled our Pouilly-Fumé as Fumé Blanc. The original name of the appellation, pre-1970s, was Blanc Fumé de Pouilly, so we’re going back to our roots. I’m proud to be French, but we wanted a name that’s easy to understand in every language.
‘The late Kit Stevens MW once said, Sancerre is like spring, Pouilly-Fumé like summer – meaning that Sancerre is more immediately approachable in its youth, but with Pouilly-Fumé, you have to wait. Pouilly-Fumé is more mineral, a connoisseur’s wine. It was very famous in the 1980s and ’90s, until Sancerre eclipsed it in popularity – maybe partly because Sancerre is easier to pronounce. We’re on a mission to bring Pouilly-Fumé back.
‘I learned in Japan that Sancerre works better with sushi, Pouilly-Fumé with sashimi. In general, choose Sancerre to match white-meat fish, and Pouilly-Fumé for red-meat fish such as tuna or salmon.’
The difference between Sancerre and Pouilly-Fumé – Ask Decanter
Get our daily fine wine reviews, latest wine ratings, news and travel guides delivered straight to your inbox.

Amy has 30 years' experience in publishing, and worked at a senior level for leading companies in the consumer, business-to-business and contract publishing arenas, before joining Decanter in October 2000 as Magazine Editor, aged just 28. As well as overseeing content planning and production for the print offering, she has also been involved in developing digital channels, Decanter.com and Decanter Premium.