VinNatur natural wine event
Credit: VinNatur 2024
(Image credit: VinNatur 2024)

It is legitimate to hesitate before writing natural wine without inverted commas, given the difficulty in defining what might actually constitute natural wine. Despite the grey areas, and leaving aside the semantics of ‘natural’, there’s a general understanding that a natural wine will be made from organic grapes, with few or no additives or manipulation, probably with spontaneous fermentation and without fining or filtering.

This approach to vinification can take wines outside many peoples’ comfort zones, with the risk of excess volatile acidity, brettanomyces, and oxidation – but also a whole raft of other unfamiliar and frankly unpleasant aromas which incur the wrath and indignation of journalists who, in no uncertain terms, have largely branded natural wine as undrinkable in the past.


Scroll down to see notes and scores for 10 (non-stinky) Italian natural wines


Badge of honour

Producers tend to take two positions towards this criticism. The hard line is to trenchantly defend what would generally be considered winemaking faults as a testimony to a wine’s ‘naturalness’, and wear them as a badge of honour. The response I have often heard is that sommeliers, oenologists, journalists and the world at large don’t understand natural wine (and you may wonder what is there to understand… surely a wine is either enjoyable or not). I can’t help thinking there is a touch of victimism in this stance.

The softer line, adopted by many supporters of natural wine goes something like, ‘look beyond the unfamiliar at what lies behind, and learn to appreciate the vitality and spontaneity.’

This assumes that one needs to be inducted into natural wine, and probably change one’s tasting parameters, which actually works for many people who, after initial perplexity, become hooked on natural wines.

With some reservations, as a taster with an Italian wine guide that receives a lot of samples from natural winemakers, I would include myself in this category, although I also have to taste a lot of wines which I really wouldn’t want to drink.

A third way

A third position is also starting to emerge. I first heard it stated explicitly three years ago, during a cellar visit to a biodynamic producer in Puglia who declared, (verbatim), ‘Natural wines don’t stink!’

And in fact, his didn’t – they had pure, vibrant fruit, with depth and complexity. They were altogether very satisfying wines. This idea that natural wine shouldn’t be difficult to appreciate is being echoed increasingly at shows and tastings. Are we seeing the rehabilitation of natural wine? Are producers overcoming the problems that beset them in the past?

To try to find out, I went to the annual show of the VinNatur group at Gambellara in the Veneto to taste the wines and talk to the president of the association, wine producer Angiolino Maule. The VinNatur group was founded in 2006 with an initial 50 members from Italy and France, and has grown to its current 300 members in 12 countries.

Many of the wineries are young, small-scale and would probably not be familiar to anyone outside natural wine circles, but there are also a number of larger, well known and widely regarded members.

Associates have to adhere to a code of conduct which goes a long way beyond the much less stringent EU regulations for organic wine. It allows for a little flexibility in some areas, but is rigorous on the fundamentals of organic viticulture and the exclusion of additives in the cellar.

Every year, 40% of the member wineries are inspected by an external agency, and all the producers’ wines are sent to an independent laboratory to check for pesticide residue and the presence of sulphites above the limits specified in the code of conduct (50mg/l for whites; 30mg/l for reds).

The vast majority get the thumbs up. Any producer who does not conform can request a second chance, but after that the association is unforgiving.

A proactive approach

This approach, however, is not punitive but aims to be supportive and proactive. The association recognises that, in the words of Angiolino Maule, ‘it is 10 times more difficult to make a natural wine,’ and that ‘there is much to learn.’

This is one of the areas in which VinNatur is most active, funding research, for example, into procedures to avoid oxidation in wines without recourse to SO2, and into ways to reduce and hopefully eliminate the use of copper-based products in the vineyard.

There is a common perception that natural wine somehow makes itself, but in fact it involves an awful lot of science.

During tasting, I found some wines with slightly precarious balance, but on the whole I came away from the event with the impression that producers are increasingly showing us the positives of low intervention winemaking and fewer of the problematic aspects.

It confirmed my conviction that natural wine should not, and need not, be approached as a separate category which dictates criteria of judgement different to those of any other wine.


10 Italian natural wines that don’t stink:


Daniele Piccinin Muni, Epoché Durello Metodo Classico, Veneto, Italy, 2020

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Made from 100% Durello, grown on the hills at the foot of the Monte Lessini. Whole-bunch vinification of the base wine, and tirage made with...

2020

VenetoItaly

Daniele Piccinin Muni

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San Lurins, Frizzante Ribolla Gialla, Venezia Giulia, Friuli-Venezia Giulia, Italy, 2022

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In 2014, the young Marco Pecorari began to produce a frizzante, re-fermented in bottle from a family vineyard of Malvasia Istriana in the Isonzo DOC....

2022

Friuli-Venezia GiuliaItaly

San LurinsVenezia Giulia

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Angiolino Maule, La Biancara Pico, Veneto, Veneto, Italy, 2021

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Pico is made from Garganega grapes from the highest sites and the oldest wines of the estate in the commune of Gambellara. Brief skin contact,...

2021

VenetoItaly

Angiolino MauleVeneto

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Fillipi, Vigne della Brà, Soave, Colli Scaligeri, Veneto, Italy, 2022

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Filippo Filippi nurtures pergola-trained vines planted on character-defining volcanic soils in the 1950s, at one of the highest sites of the DOC zone. One of...

2022

VenetoItaly

FillipiSoave

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Cantina Antonioli, Antimes, Umbria, Umbria, Italy, 2022

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A young estate (first vintage, 2018) with very old vines, including a small plot of Grenache planted in 1901 and still in good health. The...

2022

UmbriaItaly

Cantina AntonioliUmbria

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Camillo Donati, Trebbiano, Emilia, Emilia Romagna, Italy, 2022

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Trebbiano stands out in Camillo Donati's extensive range, in part for the rarity of the variety in the hills of Parma, and in part for...

2022

Emilia RomagnaItaly

Camillo DonatiEmilia

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Barale, Barbaresco Serraboella, Neive, Piedmont, Italy, 2021

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The Barale family have one hectare of 40-year-old vines on the white calcareous soils of this top cru in the commune of Neive. Very traditional...

2021

PiedmontItaly

BaraleBarbaresco Serraboella

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Vignai da Duline, Ronco di Pitotti, Friuli Colli Orientali, Friuli-Venezia Giulia, Italy, 2021

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Lorenzo Mocchiutti is a non-interventionalist grower with four hectares of vines on one of the most renowned sites of the Colli Orientali. Spontaneous fermentation is...

2021

Friuli-Venezia GiuliaItaly

Vignai da DulineFriuli Colli Orientali

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Adalia, Ruvaln, Amarone della Valpolicella, Veneto, Italy, 2019

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Adalia is the five-hectare younger sister estate of the well-known Corte Sant'Alda, and is based in the same eastern part of the Valpolicella DOC. The...

2019

VenetoItaly

AdaliaAmarone della Valpolicella

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Cà Lustra-Zanovello, Collio Euganei Fior d'Arancio, Veneto, Italy, 2020

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The Colli Euganei is a range of conical hills with volcanic soils south of Vicenza, with one of the warmest climates in the region. Fior...

2020

VenetoItaly

Cà Lustra-ZanovelloCollio Euganei Fior d'Arancio

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Richard Baudains
Decanter Magazine, Regional Chair for Veneto DWWA 2019

Richard Baudains was born and bred in Jersey in the Channel Islands and trained to be a teacher of English as a foreign language. After several years in various foreign climes, Baudains settled down in beautiful Friuli-Venezia Giulia, having had the good fortune to reside previously in the winemaking regions of Piemonte, Tuscany, Liguria and Trentino-Alto Adige. Baudains wrote his first article for Decanter in 1989 and has been a regular contributor on Italian wines ever since. His day job as director of a language school conveniently leaves time for a range of wine-related activities including writing for the Slow wine guide, leading tastings and lecturing in wine journalism at L’Università degli Studi di Scienze Gastronomiche and for the web-based Wine Scholars’ Guild.