Alta Langa bottles
(Image credit: Future)

We are standing on the panoramic terrace of the tasting room of the Borgo Maragliano winery in Loazzolo, in the Alta Langa.

The Galliano family have produced Moscato here for three generations. They began to plant Chardonnay and Pinot Noir in the early 1980s, and were among the first of the new generation of ground-breaking metodo classico producers in the Langhe area of Piedmont.

‘It’s at 600m,’ he explains. ‘The soils are perfect for Pinot Noir, but my father would never have planted a vineyard at that height. It would never have ripened. But today with the climate we have, it’s different. I’m going to be planting there in the spring.’

Taking advantage

When the production norms for the Alta Langa DOC (later DOCG) were drawn up in 2002, they stipulated that the wine had to be sourced from vineyards at above 250m.

Today the producers’ consorzio estimates that the average elevation is between 400 and 550m, although many growers are exploiting the opportunity offered by a changing climate to plant much higher – on sites where the grapes tick all the boxes for sparkling wine production; intense aroma, high acidity and low sugar.

When the Rivetti family acquired the historic house of Contratto in 2011, they planted Chardonnay and Pinot Noir dedicated to Alta Langa sparkling wine at between 700m and 820m.

And when Sara Vezza from the Josetta Saffirio winery at Monforte embarked on a production of her metodo classico, she planted on virgin soils at 700m at Murazzano, in an area of high pastures renowned for its cheeses and certainly not in the past for its wines.

It will be interesting to see how the arrival of viticulture will impact these often isolated rural sites in the future.

Italian metodo classico: A brief history

When it comes to metodo classico wines, Alta Langa is very much the new player on the block.

The three other major Italian DOCs for bottle re-fermented wines all arrived much earlier: Trento DOC dates from 1993, Oltre Po from 1970, and Franciacorta from 1967.

Yet production of metodo classico is not new to Piedmont – in 1850, following studies in Reims, Carlo Gancia founded the house of Gancia at Canelli.

Adapting the French system of bottle re-fermention using the local grape Moscato, he produced what is documented as Italy’s first traditional method sparkling wine.

Other historic houses including Calissano, Contratto and Cora followed suit, adding sparkling wines to the flourishing production of Vermouth of the period, emulating Champagne not only in the production method but also in the flamboyant liberty-style advertising posters which have become collectors’ items.

But then it all died away.

Fast forward to 1990, and a group of seven major Piedmontese houses launched a project to recreate the production of prestige metodo classico, which had been lost in the region.

In what would make an interesting case study in entrepreneurial initiative, the project started from zero, with experimental plantings of Chardonnay and Pinot Noir, and by 1996, there were 48 hectares under vine.

The name Alta Langa was registered in 1998, and the following year the first wines were released.

The producers’ consorzio was founded in 2001, and in record time, DOC recognition arrived in 2002 for the new sparkling wine.

Building an identity

To create a distinctive identity for the new Alta Langa denomination, the production regulations drawn up in 2002 set the bar high.

To begin with, the base must be Chardonnay and/or Pinot Noir, used individually or in combination.

There is no non-vintage version – Alta Langa is exclusively ‘millesimato’ – and it must age on its lees for a minimum of 30 months (36 months for the Riserva; this will increase to 60 months when the latest modifications to the regulations come into effect).

The potential area of production for Alta Langa is vast, taking in 149 villages in the three wine growing provinces of Alessandria, Asti and Cuneo.

But currently, only 600ha are registered. To put that in perspective, Barbaresco has around 750ha registered.

Calcareous marl soils predominate, with varying textures depending on the percentage of clay to sand.

Production is limited but growing, with projections for the 2025 total of two million bottles to increase to five million by 2030.

Two great Piedmontese traditions are reflected in the cross-section of Alta Langa producers.

On one hand, there are the long-established sparkling wine and Vermouth houses like Cocchi, Coppi, Contratto and Gancia; on the other hand, small- to medium-scale family-run estates.

Many famous names from the red wine denominations of the Langhe have added Alta Langa to their lists, as have Moscato producers from Asti.

The Alta Langa style

If Trento DOC is all about crisp elegance, and Franciacorta round complexity, Alta Langa offers structure and depth.

The absence of an entry level non-vintage label, combined with extended ageing, are distinguishing features accentuated by the orientation of many producers towards the driest pas dosé (equivalent to brut nature) and extra brut styles.

These styles are not always the most accessible, however, and blanc de noir bottlings in particular can feel very dry indeed, and undeniably Piedmontese: austere, long-lived, and great with food.

10 top Alta Langa for your glass


Saffirio, Alta Langa, Piedmont, Italy, Piedmont 2021

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A persistent, very fine perlage with an equally persistent soft white mousse. Great complexity on the tapestry-like nose: spring blossom, candied cherry and citrus peel...

2021

PiedmontItaly

SaffirioAlta Langa

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Contratto, For England Blanc de Noir Pas Dosé, Alta Langa, Piedmont 2021

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A pale blush shade, with delicate but very precise definition on the nose of sour cherry and raspberry fruit, and a distinct note of flintiness....

2021

PiedmontItaly

ContrattoAlta Langa

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Borgo Maragliano, Francesco Galliano, Alta Langa, Piedmont 2022

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This blanc de blanc from the province of Asti is lively and immediate on the nose, with fresh citrus and a slight saline nuance. The...

2022

PiedmontItaly

Borgo MaraglianoAlta Langa

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Contratto, Blanc de Blanc Pas Dosé, Alta Langa, Piedmont 2021

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Subtle and a little understated, but there is a lot of detail on the nose: lime and green apple, spring blossom and, in the background,...

2021

PiedmontItaly

ContrattoAlta Langa

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Tenuta Rocca, Alta Langa, Piedmont, Italy 2021

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Very attractive aromas of apple pie crust, dried apricot and a distinctive saltiness. Dry, firm and linear, it demonstrates a lovely lightness of touch, a...

2021

PiedmontItaly

Tenuta RoccaAlta Langa

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Colombo, Blanc de Blancs, Alta Langa, Piedmont, Italy, Piedmont 2021

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Fresh and expressive on the nose, with aromas of sweet red fruit and toasted bread crust. The creamy volume on the palate is refreshed by...

2021

PiedmontItaly

ColomboAlta Langa

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Rizzi, Pas Dosé, Alta Langa, Piedmont, Italy, 2021

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Intense, fresh and yeasty, with up-front aromas of green pear and herbs. The palate impact is bone-dry and grippy, followed by concentrated flavour, a very...

2021

PiedmontItaly

RizziAlta Langa

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Ettore Germano, Blanc de Blanc Pas Dosé, Alta Langa, Piedmont 2017

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Aromatic freshness of white blossom and pear and apple fruit, but also hints of maturity in the toasted bread crust aromas at the back. On...

2017

PiedmontItaly

Ettore GermanoAlta Langa

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Cocchi, Totocorde, Alta Langa, Piedmont, Italy 2019

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Broad and open, showing maturity through bread crust, apricot and ripe tropical fruit aromas. A fleshy mid-palate with a slightly herby character leads to a...

2019

PiedmontItaly

CocchiAlta Langa

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Ferraris Agricola, Tenuta Santa Chiara, Alta Langa, Piedmont 2021

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This has a bright buttercup shade and an intense nose of ripe yellow apple with toasted hazelnut and a hint of butteriness. Full-flavoured, its rich,...

2021

PiedmontItaly

Ferraris AgricolaAlta Langa

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Richard Baudains
Decanter Magazine, Regional Chair for Veneto DWWA 2019

Richard Baudains was born and bred in Jersey in the Channel Islands and trained to be a teacher of English as a foreign language. After several years in various foreign climes, Baudains settled down in beautiful Friuli-Venezia Giulia, having had the good fortune to reside previously in the winemaking regions of Piemonte, Tuscany, Liguria and Trentino-Alto Adige. Baudains wrote his first article for Decanter in 1989 and has been a regular contributor on Italian wines ever since. His day job as director of a language school conveniently leaves time for a range of wine-related activities including writing for the Slow wine guide, leading tastings and lecturing in wine journalism at L’Università degli Studi di Scienze Gastronomiche and for the web-based Wine Scholars’ Guild.