Sauvignon Blanc differences, Loire vs Marlborough
Credit: Bruce Yuanyue Bi / Getty Images
(Image credit: Bruce Yuanyue Bi / Getty Images)

A recent Loire vs Marlborough Sauvignon Blanc masterclass, hosted by Rebecca Gibb MW and Jamie Goode, set out to discover the differences between the two key Sauvignon-producing regions at opposite ends of the world.

Jointly organised by Sopexa, Central Loire Valley Wines, Loire Valley Wines (yes, two different trade bodies represent the Loire!) and New Zealand Wines, the blind tasting of 12 Sauvignon Blancs pitted one Loire and one Marlborough wine against each other in each of the six pairs.

It was a fairly tough tasting, with styles ranging from green and crisp to creamy and oaky, but the wines in five of the pairs were distinct enough to enable correct identification – which will surely be a relief to the terroirists out there.

How to tell the difference

Loire Sauvignon Blanc occupies the green fruit spectrum (think apple, gooseberry and cut grass), and can be floral, steely, zingy, flinty or even slightly peachy, depending on which appellation it comes from.

Marlborough Sauvignon Blanc tends to be more pungent and intensely flavoured, still with green fruit at its core but filled out with riper, tropical fruit flavours.


About Loire Sauvignon

There are around 123,000ha of Sauvignon Blanc planted throughout the world, of which around 10,000ha are in the Loire and 20,600ha in Marlborough.

The Central Loire, where 50% of all Loire Sauvignon Blanc is produced, is mostly composed of chalky marl capped by Portlandian limestone, although Touraine sits on part of the so-called Paris Basin, which is a limestone over clay-flint composition.

Touraine’s reputation for producing lower-priced wines has meant that land has remained attractively cheap, and it is now benefitting from a new wave of young winemakers keen to make names for themselves. Keep an eye on this appellation if you like Sauvignon.


About Marlborough Sauvignon

Marlborough’s free-draining soils are mostly sandy loam over deep gravel. The region experiences more maritime influence than the Sauvignon-producing areas of the Loire, benefitting from cooling sea breezes.

However, the ozone layer is thin over New Zealand, contributing to 40% more UV radiation than is typical at that latitude. This intensity of light, combined with the free-draining soils, requires irrigation in many cases.

Sauvignon Blanc differences – wine by wine:

The wines were blind-tasted in pairs, in the order they appear below.


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Villa Maria, Private Bin Sauvignon Blanc, Marlborough, New Zealand, 2018

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This is quite obviously a Marlborough example: its grassy, green citrussy tones are accompanied by some banana-like notes, tropical hints and a soft, easygoing mouthfeel. It's slightly stony and spritzy, and it turns out to be from one of the most popular brands in the UK.

2018

MarlboroughNew Zealand

Villa Maria

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Domaine de Renaudie, Sauvignon Blanc, Touraine, Loire, France, 2018

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The lean, green saline aromas place this in the Loire. It's a bit reduced with some sweet-edged green fruit on the palate. There's nothing too complex here, which to me reflects what Touraine is all about.

2018

LoireFrance

Domaine de RenaudieTouraine

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McElhinney, Cause & Effect Barrique Fermented Sauvignon Blanc, Marlborough, New Zealand, 2017

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The aromas of this wine display reduced struck-match, smoky, sulphurous scents with some soft tangerine beneath. It has a mineral touch on the dry finish, which is fairly long. It's so atypical of Sauvignon Blanc, completely dominated by the oak, but for fans of big, smoky wines this may be worth a try.

2017

MarlboroughNew Zealand

McElhinney

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Domaine Benjamin Delobel, Exponentielle Sauvignon Blanc, Touraine, Loire, France, 2017

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The soft mango scents and peachy, astringent palate with vanilla seeping out on the finish seem so exotic that I thought this was from Marlborough. I was wrong. This is a lovely Touraine, with barrel fermentation lending additional richness without completely masking the Sauvignon's character.

2017

LoireFrance

Domaine Benjamin DelobelTouraine

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Domaine Denis Jamain, Les Fossiles, Reuilly, Loire, France, 2018

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This wine's appley nose with a touch of creamy peach and some steely, tangy dryness alongside a touch of juiciness on the palate is not a million miles away in style from Sancerre or Menetou-Salon - which is precisely what I thought this could be. Correct region at least. This Reuilly punches above its weight.

2018

LoireFrance

Domaine Denis JamainReuilly

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Brancott Estate, Chosen Rows Sauvignon Blanc, Marlborough, New Zealand, 2010

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A savoury nose with feijoa and lime aromas and slight trace of mineral. The palate is buttery, with a good weight and a racy acidity that cleans everything. A crisp finish for a wine that will improve with time.

2010

MarlboroughNew Zealand

Brancott Estate

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Clos Henri, Sauvignon Blanc, Wairau Valley, Marlborough, New Zealand, 2016

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This pairing was a close call, and the room was divided, but the slightly fuller character of intense baked apple and fresh, tangy green apple with a lemon and lime zestiness puts this in the Marlborough camp. It was a surprise to find out that this is from the New Zealand operation of Loire domaine Henri Bourgeois, whose own Sancerre was pitched against it. This is a nice wine but the Sancerre has just a bit more definition, length and purpose.

2016

MarlboroughNew Zealand

Clos HenriWairau Valley

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Domaine Joel Delaunay, Sauvignon Blanc, Touraine, Loire, France, 2018

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A floral style of Sauvignon, this has a pink grapefruit, lemon and apple character with a touch of soapy bitterness. The lack of exotics and the lean palate place this decent summer-drinking white in the Loire camp.

2018

LoireFrance

Domaine Joel DelaunayTouraine

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Greywacke, Wild Sauvignon Blanc, Marlborough, New Zealand, 2016

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Greywacke (pronounced ‘Greywacky’) is the Marlborough label of Kevin Judd, one of the region’s pioneer winemakers after having directed the first 25 vintages at Cloudy Bay as their founding winemaker. Judd established Greywacke in 2009, named after the greywacke river stones found in the vineyards of much of the Wairau Valley, from which his fruit is sourced. This wine is made via a spontaneous indigenous yeast fermentation in mostly old French oak barrels, with occasional lees stirring. It was transferred out of oak just prior to the following harvest and then left on the lees for a further six months. Rebecca Gibb MW: A highly floral expression on the nose, exuding talc and rose petals, with a more delicate expression on the palate, remaining fine and focused throughout. Very pretty indeed. Roger Jones: A bright, zesty nose welcomes an elegant, seamless palate with restrained fruit, while at the same time offering complex notes of wet stone and guava. Gentle, yet tastes expensive. Phil Tuck MW: Lifted and concentrated with impressive depth, showing a delightful balance between a grassy varietal purity and a subtle oaky complexity. Really well done.

2016

MarlboroughNew Zealand

Greywacke

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Domaine du Pré Baron, Vieilles Vignes Sauvignon Blanc, Touraine, Loire, France, 2017

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Yet another Touraine, but this time a really exotic example. Dried mango and apricot aromas are followed by a very intense, sweet and floral palate with more dried mango and apricot alongside cream and spices. Although delicious, its straightforward simplicity contrasted with the alcoholic warmth and flavour intensity of Te Mata's Cape Crest to single this out as the Loire example in this pairing.

2017

LoireFrance

Domaine du Pré BaronTouraine

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Te Mata, Cape Crest Sauvignon Blanc, Hawke's Bay, New Zealand, 2018

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Gently aromatic, soft and supple, offering herbal, honeyed toast and mineral nuances sustained by nicely evened acidity.

2018

Hawke's BayNew Zealand

Te Mata

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James Button
Regional Editor - Italy

James Button is Decanter’s regional editor for Italy, responsible for all of Decanter's Italian content in print and online.

Like many others, he started his wine career at Majestic Wine, giving him a strong grounding in the subject before successfully completing the WSET Level 4 Diploma in 2010. From 2014 to 2016 he managed the fine wine department of a startup wine company in London, before joining Decanter as digital sub-editor.

Outside of wine, James enjoys cooking, skiing, playing guitar and cycling.