Malvasía vines in the volcanic soil at La Geria in Lanzarote on the Canary Islands
Malvasía vines in the volcanic soil at La Geria in Lanzarote on the Canary Islands
(Image credit: Malvasía vines in the volcanic soil at La Geria in Lanzarote on the Canary Islands)

Spain’s red wines are a safe bet on any wine list – sometimes just too safe, when the same denominations keep appearing and there is so much more to be enjoyed. There’s more to life than Tempranillo and its synonyms.


Scroll down for Sarah Jane Evans MW’s top 15 undiscovered Spanish whites


When it comes to whites, the story is the same. There is so much more to Spain’s whites than the too-often seen Viura (Macabeo) from Rioja and Verdejo from Rueda. Below, I’ve selected five varieties to highlight Spain’s glorious diversity. With miles of coastline, mountains (Europe’s second most mountainous country), soils of every variety – slate, clay, granite, volcanic, sand – and myriad thoughtful, experienced winemakers, the potential for white wine is terrific and, to a certain extent, still unrecognised.

The most famous of my five varieties is Albariño, which was in its time a trailblazer for the new Spanish wine. The remaining four are former ugly ducklings that have been transformed only recently into very desirable swans. The traditional Malvasías had been ignored, through lack of export, as single varieties; Xarel.lo was stuck in the niche of sparkling wine; Listán Blanco has had to prove that it’s so much more than just the ‘Sherry grape’; and Garnacha Blanca was a workhorse variety that’s now ennobled on Michelin-starred wine lists. While the Listán Blanco and Malvasías will remain niche wines, Garnacha Blanca is definitely on the rise, with Xarel.lo following on behind.There are so many more varieties jostling for our attention: Zalema in the Condado de Huelva, the family of Moscatels especially in Malaga, the Albillos, the Godellos of Valdeorras and Bierzo are up there with the very top, Treixadura from Ribeiro, Caiño, Doña Blanca… Seek them out.

Xarel.lo

Xarel.lo has travelled a long way in a short time. Formerly a favourite for its uncommon spelling, it was known only as an ingredient of Cava. And as Cava’s reputation declined, so did Xarel.lo’s. However, latterly, winemakers have been keen to stress that it’s Xarel.lo which gives great Cava its longevity, as well as the refreshing acidity that teases the palate. It’s even more recently that it’s become popular as a feature of still wines. It’s surprising that it hasn’t happened sooner.

The fact that it’s not an international import is a mark in its favour, as is its freshness. Several of the Cava companies have their own versions, including notably the delightfully elegant biodynamic Font Jui from Gramona, barrel fermented to give texture.

At Can Ràfols del Caus, Pairal Xarel.lo is fermented in chestnut and bottle aged: definitely a Xarel.lo built for the long haul. Alemany i Corrió’s Principia Mathematica also benefits from time in 225-litre and larger French oak barrels, and time on lees.

An increasing number of producers in Catalonia are experimenting with – or returning to the traditional history of – amphoras, and Xarel.lo is proving a good candidate. At Loxarel (the company name is a play on Xarel.lo) biodynamic producer Josep Mitjans uses amphoras for some of his wines, still and sparkling – ageing them in a remarkable underground cellar. The 109 Gran Reserva Brut Nature sparkling spends 109 months on its lees; while the A Pèl Blanco is a finely balanced example of an orange wine, all about texture with tannin, spending five months on skins in large amphoras. An original is the Xarel.lo sparkling that Sergi Colet made using Sherry from Equipo Navazos as the liqueur d’expedition. In the DO of Alella, just along the coast from Barcelona, Xarel.lo goes under the local name Pansa Blanca.

Malvasía

I must admit to an element of cheating here: there a plenty of Malvasías to enjoy in Spain, but they are diverse types masquerading under the same name. However I have collected them together under the Malvasía umbrella. Malvasía – Madeira’s Malmsey, and with many different vines in Italy – has its own characters in Spain. What caught my eye, and my palate, was the very distinctive Malvasía tasted on trips to the Canary Islands. While the Canaries have long been able to service requirements from domestic consumers and tourists with their local wines, there is now a growing group of producers who are making individual, distinctive wines worthy of export. While they do export to mainland Spain, most of them only export internationally in a small way. Definitely islands to watch.

In Lanzarote, home to Malvasía Volcánica, aka Malvasía de Lanzarote (though it may be a crossing with the local Marmajuelo, just to add to the confusion), El Grifo produces an original cross-vintage blend every five years or so. I tasted a recent blend of 1956, 1970 and 1989, which was supple, with vivid lime and roasted caramel. The venerable 1881, with its 8g/L of acidity, was equally punchy, but enrobed in honey to soften the finish.

Bodegas El Grifo

Bodegas El Grifo
(Image credit: Credit Unknown)

In La Palma – overrun with banana plantations and home to the best bananas I’ve ever tasted – Victoria Torres Pecis is developing an exceptional range of wines from Listán Blanco, Albillo Criollo and Diego (also known in the Canaries as Vijariego). She makes a glorious sweet Malvasía and also a dry version. The latter starts by promising sweetness aromatically, and finishes elegantly dry. This is not the same as Malvasía de Sitges (Malvasía Riojana or Subirat Parent), which, among others, makes a charming sweet Cava for Freixenet, and some scarce sweet wines in the region. In Rioja, meanwhile, Malvasía was historically a feature of whites, and turned up in red field blends. It’s having a little revival with the return to exploring the old ways.

Victoria Torres Pecis in La Palma

Victoria Torres Pecis in La Palma
(Image credit: Credit Unknown)

Albariño

Albariño is Rías Baixas. It’s the Galician grape variety that launched Spanish whites on the world, revealing that Spain could make ‘modern’ wines which were fresh, not oxidative, and were unoaked. It has had a huge and deserved success, but with that has come the risk of its own destruction. Stainless steel tanks, commercial yeasts, and retailer demands for low prices have all conspired to drive Albariño – as it has Verdejo in Rueda – to an anonymous reliability.

Albariño vineyard at Pazo de Señoráns in Galicia

Albariño vineyard at Pazo de Señoráns in Galicia
(Image credit: Credit Unknown)

The wines are consistent, fresh, nicely fruity and made to be drunk young, however it can be hard to distinguish between one brand and the next. This situation may just be awkward growing pains. The bonus for Rías Baixas is that it is a rare geographically separated DO, with its five recognised sub-zones set apart from one another. For instance, the southerly Condado de Tea, located just over the river Miño from Portugal, is of a very different character from the northerly maritime Salnés. This gives the potential for much greater diversity.

In Rías Baixas, another key characteristic is minifundia, tiny landholdings, with the average holding of just 0.6ha. However, added to that is a renewed focus on viticulture, on old vines and ensuring diversity. There’s been plenty of investment from leading names elsewhere in Spain, including La Rioja Alta (with Lagar de Cervera), Ramón Bilbao (Mar de Frades), González Byass (Pazos de Lusco) and Torres (Pazo das Bruxas).

The vast majority of the wines are drunk young. Yet it’s important to remember that Albariño, in the right conditions, can age wonderfully well. A classic example is Pazo de Señoráns run by Marisol Bueno, one of the founders of the Rías Baixas DO. Her Selección de Añada spends 30 months on lees followed by six months in bottle. The Wine Society released a trio of these wines from 2009, 2008 and 2007, showing their transformation from the finely structured 2009 with a memory of the apple fruit, through to the intense, steely 2007, with characteristics of a refined Chablis. It may not be a typical fruity, zesty, creamy Albariño; instead it’s become fine wine.

Listán Blanco

In my selection of five white varieties for this article, Listán Blanco is the one that has most recently come to international attention. It was Tenerife that did it, specifically with the arrival of the wines of Suertes del Marqués. What drew the headlines was the combination of the astonishing traditional vine-training, with branches stretching up and down the hillsides from the central stem, as well as the memorable name of the business – and the distinctive wines.

There was an element of surprise here, too, for Listán Blanco is the Palomino or Palomino Fino of Jerez and other parts of Spain. In general it has been regarded as a dull variety, low in acid, low in alcohol, and thus ideal for Sherry making where the solera and the cellarmaster can bring their influence. In the volcanic soils of the Canaries, then, the character of Listán is transformed. Vidonia, from vines of more than 100 years old, is the big brother of Suertes’ Trenzado.

Palomino turns up occasionally in small quantities in red field blends in Bierzo as ‘Jerez’. It also featured traditionally in Rueda, where it has given way to the more characterful Verdejo. In the Marco de Jerez in the south, Palomino Fino was the variety of choice in the replanting after phylloxera, when so many varieties were ignored.

It’s only recently that the enthusiasm has grown for more characterful Palomino planting material than the original choice, and for revival of some of the other local historical varieties. There’s a lively interest, too, in single-vineyard or single-parcel wines. Given the tradition of cross-blending vintages and terroirs in soleras, few producers have been capable of producing single-parcel Sherries. This will change over time. The other trend is for unfortified dry Palomino wines from the Marco de Jerez region. They have spent time under flor, and some of them are made with grapes that have been sun-dried in the traditional way to raise the alcohol by half a degree or a degree.

Harvesting at Herència Altés in Terra Alta, Catalonia

Harvesting at Herència Altés in Terra Alta, Catalonia
(Image credit: Credit Unknown)

Garnacha Blanca

Garnacha Blanca had to travel a very long way to establish itself as a respected variety. The transformation of the unloved, easily oxidative, overly alcoholic red Garnacha into an elegant red made all the difference. G is now for Garnacha Blanca, but also for Gastronomy. With its lesser fruit character and its texture, as well as its adaptability to winemaking, Garnacha Blanca has become the sommelier’s friend, often producing golden wines with silky, mineral palates.

Like Xarel.lo it is strongly Catalan, and specifically focused on Terra Alta, which accounts for 90% of all Garnacha Blanca in Catalonia, 75% of the variety grown in Spain, and one-third of all Garnacha Blanca plantings in the world. It offers the ideal combination of altitude with hot summers and cool nights, which gives freshness to lighten the full body of the fruit. Terra Alta is undoubtedly the place to begin with Garnacha Blanca. Among the leading producers are Edetària, Bárbara Forès, Herència Altés and the Ramon Roqueta family. This is a variety that also turns up frequently in blends. The organic Habitat from Torres is a case in point, where it comes blended with Xarel.lo.

Fernando Mora MW

Fernando Mora MW
(Image credit: Credit Unknown)

Elsewhere in Catalonia you’ll find it successfully in Alella, in Costers del Segre, Tarragona and Priorat (where Mas Doix has launched a white Garnacha this spring). It’s widespread in Aragón, thought to be the home of red Garnacha. In Valdejalón, Fernando Mora MW and Mario López make an old-vine Garnacha Blanca aged in large French oak for eight months. Norrel Robertson MW, whose specialism is very old-vine red Garnacha in Calatayud in Aragón, uses Garnacha Blanca as a component in El Puño Blanco, with Macabeo and Viognier, and with Macabeo in his Manda Huevos wines, to produce complex, spicy wines, greater than the sum of the individual parts. Elsewhere, in Rioja, it’s a lesser item in a white blend dominated by Viura, and usually also containing Malvasía.


See Sarah Jane Evans MW’s top 15 undiscovered Spanish whites


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Sarah Jane Evans MW
Decanter Magazine, Wine Writer, DWWA 2019 Co-Chair

Sarah Jane Evans MW is an award-winning journalist who began writing about wine (and food, restaurants, and chocolate) in the 1980s. She started drinking Spanish wine - Sherry, to be specific - as a student of classics and social and political sciences at Cambridge University. This started her lifelong love affair with the country’s wines, food and culture, leading to her appointment as a member of the Gran Orden de Caballeros de Vino for services to Spanish wine. In 2006 she became a Master of Wine, writing her dissertation on Sherry and winning the Robert Mondavi Winery Award. Currently vice-chairman of the Institute of Masters of Wine, Evans divides her time between contributing to leading wine magazines and reference books, wine education and judging wines internationally.