Terra Remota wines
Terra Remota vineyards in Empordà. The wines cannot be labelled Empordà DO because the estate uses grape varieties outside of the DO rules.
(Image credit: Andrew Jefford)

Andrew Jefford meets two pioneers of international varieties in northern Catalonia.

One of the most beautiful and celebrated poems in the Spanish poet Antonio Machado’s ‘Proverbios y cantares’ begins

Caminante, son tus huellasel camino y nada mas;Caminante, no hay camino,se hace camino al andar.Wanderer, your tracksare the path and nothing more;Wanderer, there is no path,make your path by going further.

Few poems could be more appropriate for those planting a new vineyard where none has been before. There is no tradition, no ‘path’ to fall back on. The footsteps are the vines, and the path is a track through time which begins when the vines are planted.

Back in 2003, hoteliers and winegrowers Marc and Emma Bournazeau-Florensa first planted their property, called Terra Remota, in northern Empordà, though they had owned it since 1989. Since they were very conscious that it was a journey of discovery, they chose to call three of the key wines Camino (this is the main red wine), Caminito (rosé) and Caminante (white). The names are a little confusing — until you remember the poem. Perhaps they should print it on the back label.

The couple had formerly owned Ch St Roch, just over the border in Roussillon; Machado’s work was familiar to them not least because he died in exile in Collioure during the Spanish Civil War, and is buried in Collioure cemetery. St Roch was subsequently sold to Jean-Marc Lafage — whose work I will touch on next week — since the couple wanted the excitement of a new path in wine, and the chance to create something out of nothing. (The Florensa family are also part-owners of the Apalta winery Viña Las Niñas, another ‘new path’.)

The soils are granite, and although it’s a warm zone the tramontana wind from the north helps freshen and cool the site; the natural pH of the wines is unusually low, and their (French) winemaker Edith Soler, formerly at Sieur d’Arques in Limoux, says that acid adjustment is never necessary. The team chose to plant a mixture of classic varieties: some Garnatxa and Tempranillo but Syrah too, and Chardonnay, Garnatxa Blanca and Chenin Blanc for the whites.

Nor are they the only ‘wanderers’ of this sort in Empordà. Down in the south of the zone, the Clos d’Agon vineyard near to Calonges was planted a few years earlier, initially by Philippe d’Ambois and Daniela Bagon, a Franco-Belgian couple, back in 1989. D’Ambois had been a friend of Montpellier viticultural professor André Crespy, who advised planting its clay and schist soils with French varieties too: the Viognier came from Ch Grillet, and there is also Roussanne, Marsanne, Merlot, Cabernet Franc, Cabernet Sauvignon, Petit Verdot and Shiraz. The farm, Mas Gil, had formerly been polycultural, in part planted with hybrids, so it was indeed a new start.

Clos d'Agon wines

Clos d’Agon winemaker Miguel Coronado.
(Image credit: Andrew Jefford)

The first owners sold up in 1998, and the relay was taken over by a Swiss consortium including importers Franz Wermuth and Frank Ebinger, and Silvio Denz of Ch Faugères and Lafaurie-Peyraguey; Peter Sisseck of Pingus and other properties consults, and the enthusiastic young winemaker is Miguel Coronado. Although both Terra Remota and Clos d’Agon lie in Empordà, neither uses the DO name – since some of the vine varieties are unauthorised.

Tasting notes for a selection of wines from each are given below. To my surprise, the whites in general seem more impressive than the reds at both properties, but this may change with time.

One of the challenges of forging a new wine-growing path, after all, is that by definition you will begin with young vines — and most of the greatest wines of Catalonia, and in particular its reds, are built on a patrimony of old vines. It also takes time to understand which varieties might respond best to these discovered surroundings — and to learn the slow lessons of the market. All of this learning process is underway, as Machado understood, in the only way possible: “by going further”.


Tasting the Wanderers’ wines:


Read more Andrew Jefford columns on Decanter.com here


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Clos d'Agon, Selección Especial, Catalonia, Spain, 2015

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At present this is a blend of 50% Cabernet Franc with 30% Petit Verdot and the balance Cabernet Sauvignon, coming from the highest plots in...

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Clos d'Agon, Blanco, Catalonia, Spain, 2015

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The blend of this luxurious Catalan white mingles Roussanne with Viognier and Marsanne grown on slate, sand and clay. The varietal proportions vary every year...

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Clos d'Agon, Tinto, Catalonia, Spain, 2014

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The Clos d’Agon founders are fans of Cabernet Franc: winemaker Miguel Coronado calls it 'the Pinot of the Mediterranean; slender, long and spicy with crisp...

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Terra Remota, Caminante, Catalonia, Spain, 2016

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This white blend of 65% Garnatxa Blanca, with 25% Chardonnay and 15% Chenin Blanc, is part barrel-fermented. Edith Soler says the Chenin performs very well...

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Terra Remota, Tan Natural, Catalonia, Spain, 2016

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No wood here, and under 50mg of SO2. The blend is 75% Garnatxa with the balance from Tempranillo. I loved the pretty aromas of this...

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Terra Remota, Camino, Catalonia, Spain, 2015

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This red wine blend is the ‘raison d’être’ of the estate, according to Edith Soler. The blend brings Syrah ('easiness, roundness, drinkability and fresh fruit,'...

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Terra Remota

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Terra Remota, Clos Adrien, Catalonia, Spain, 2014

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This blend of the estate’s best Syrah, with 10% of plot-selected Garnatxa, gets two years in barrels, 30% new. The oak is palpable though not...

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Terra Remota, Caminito, Catalonia, Spain, 2016

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This pure Garnatxa Rosé has lots of character and pungency. It's pale pink with faint orange glints and a vivid, sappy, intense flavour. Concentrated, drenching...

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Terra Remota, Usted, Catalonia, Spain, 2011

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This is, admits Edith Soler, the 'most Spanish' of the Terra Remota wines, and it sells at by far the highest price. It’s a blend...

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Andrew Jefford

Andrew Jefford has written for Decanter magazine since 1988.  His monthly magazine column is widely followed, and he also writes occasional features and profiles both for the magazine and for Decanter.com. He has won many awards for his work, including eight Louis Roederer Awards and eight Glenfiddich Awards. He was Regional Chair for Regional France and Languedoc-Rossillon at the inaugural Decanter World Wine Awards in 2004, and has judged in every edition of the competition since, becoming a Co-Chair in 2018. After a year as a senior research fellow at Adelaide University between 2009 and 2010, Jefford moved with his family to the Languedoc, close to Pic St-Loup. He also acts as academic advisor to The Wine Scholar Guild.

Roederer awards 2016: International Wine Columnist of the Year