The ethical drinker: Join the resistance and give hybrid grapes a chance
Do you know your Souvignier Gris from your Cabernet Cortis? Sustainability editor Natalie Earl explores the rise and symbolism of disease-resistant hybrid grapes via an innovative micro-négociant project in southern France's Languedoc.
Earlier this year at the Millésime Bio organic wine fair in Montpellier, I tasted with Pierre Caizergues of Pierre & Antonin, a micro-négociant based in Malepère on Languedoc’s western frontier.
I’ll admit it was the wine labels that first caught my eye – frolicking foxes and unapologetically bright colours (I have a soft spot for foxes, especially the urban ones that have adopted my small London garden), but other aspects soon piqued my interest beyond the aesthetic charm: lightweight bottles, organic viticulture, minimal sulphur, indigenous yeasts – and, most strikingly, disease-resistant grape varieties.
Embracing hybrid grapes
Although they’re both from Languedoc, Pierre and his business partner Antonin Bonnet met in New York in 2010 while working in sales. After a decade of fermenting ideas, they returned to France and launched Pierre & Antonin in 2020.
Initially, they worked with a mix of classic varieties and hybrids. Gradually, though, they’ve shifted almost entirely to disease-resistant grapes such as Souvignier Gris, Cabernet Cortis, Artaban and Floréal, making red, white, rosé, orange and pét-nat wines.
They persuaded a small collective of growers to plant small plots, guaranteeing to buy the fruit.
Now their aim is to explore the potential of these hybrid grapes – showing that the wines can be made with minimal intervention, but can also be delicious and, crucially, affordable.
Vibrant, well-priced wines to be opened and shared
How can these factors be achieved? Due to the hybrids’ resistance to downy and powdery mildew, the cost of treatment products and labour are much lower and the lightweight bottles (only 370g) not only reduce carbon emissions during transport, but are also cheaper.
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In a region where margins are tight and climate pressure is intensifying, these savings are no small consideration. And the elimination of fungicides means that fermentations start easily, so it’s easy to rely on indigenous yeasts.
The result is wines that are vibrant, unfussy, fruity, low in alcohol and well priced – bottles designed to be opened and shared rather than cellared.
This is arguably the ideal region to plough this furrow – the stakes aren’t as high as they would be in Beaune or Châteauneuf-du-Pape, say, and land is cheaper.
Opening a wine made from disease-resistant varieties is in itself an act of resistance
Natalie Earl
Later, I kept thinking back to how Pierre had referred to the hybrid grapes as ‘resistants’. In my mind this rang out as ‘resistance’.
There’s an undeniable semantic link – resistants/resistance – and the implications are strong. The word ‘resistance’ carries a lot of weight, but what does it mean in this context?
The wine world is at an uneasy juncture, so this is about resistance not only against vine disease, but against shifting tastes, climate chaos and economic volatility.
And then there’s resistance in the form of resilience and adaptation – not accepting that sustainability inevitably makes wine more expensive and less accessible. Opening a wine made from disease-resistant varieties is in itself an act of resistance.
Antonin believes that hybrids will be part of the future of wine – that they’ll be, at least in part, tomorrow’s answer to climate change.
‘There are masters of Syrah,’ he says. ‘There are many masters of Pinot Noir all over the world.’ But who will be the masters of Souvignier Gris, Cabernet Cortis and Floréal? Perhaps we’re about to find out.
Sip to make a difference
Souvignier Gris was Pierre and Antonin’s gateway grape. Alongside the still white Pierre & Antonin, Petit Sauvage Blanc, Languedoc, France 2025 (91pts, £17 Vindependents), they also make a pét-nat and a skin-maceration wine with it.
‘We love Souvignier Gris so much that we made it three ways,’ says Pierre. It’s bright and zesty, with fresh acidity, tropical fruit, some spice and a cool minty note, bringing great refreshment to sun-filled days.
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Natalie is Decanter's France editor, commissioning and writing content on French wines (excluding Bordeaux) across print and digital. She writes Decanter's coverage of Languedoc wines, as well as a monthly magazine column, The Ethical Drinker, which unpicks the thorny topic of sustainability in wine. She joined Decanter in 2016.
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