Andrew Jefford discovers the unexpected after taking a closer look at the divide between Barbaresco and Barolo.

What exactly is the relationship between Barolo and Barbaresco?  The Bordeaux model of Left and Right Bank isn’t echoed here, since there is no varietal difference between the two DOCGs: it’s nothing but Nebbiolo.  Perhaps the contrasting red wines of the Côtes de Nuits and the Côtes de Beaune are a better comparison: they offer a subtle difference in style based on a modulation of topography and soils.  When you peer more deeply into this question, though, there are surprises in store.

Langhe fans are sometimes startled to discover that Barolo and Barbaresco are not adjacent zones.  They are separated by the town of Alba and by much of the Dolcetto-growing zone of Diano d’Alba (which also pokes into Barolo).  Barbera d’Alba, too, can be grown in these transitional vineyards – but this enormous DOC also covers Barolo and Barbaresco in their entirety and much else beyond.

There are useful lessons here.  Both Barolo and Barbaresco are, in fact, comprehensively planted with varieties other than Nebbiolo; the villages of Neive and Treiso within Barbaresco constitute a key Moscato d’Asti-growing zone, for example, into which Nebbiolo has only begun to make inroads in recent years.  One look at the chaotic topography of the region and you will realise that this has to be so.  It’s a comprehensive contrast to the Côte d’Or.

Bricco di Neive vineyards, piedmont

Bricco di Neive vineyards. Credit: Andrew Jefford.

In fact what the Barolo and Barbaresco zones signal is that the greatest sites for Nebbiolo in the Langhe are found somewhere or other within their boundaries: they encircle Nebbiolo hot-spots, if you like.  Barolo is the hot-spot southwest of Alba, and Barbaresco is the hot-spot northeast of Alba.

How hot?  My assumption had always been that Barolo was the warmer of the two, and probably the lower lying, based on the fact that its tannins were grippier, its fruit more forceful, and its ageing requirements more imperative.

Wrong again.  Barbaresco is in fact lower, warmer, and usually harvests earlier.  The highest vineyard sites in La Morra and Monforte lie just above and just below 550 m, while Serralunga peaks at 450 m.  Barbaresco, by contrast, has no site higher than 500 m, and most great sites peak at 300 m or so.  It’s perfectly common in Barolo for Nebbiolo to be growing at 400 m.

There are other physical differences, too.  Barolo, lying further west, is hit by weather systems prior to Barbaresco, which enjoys a more sheltered position.  This factor made a dramatic difference in the 2014 vintage, when Barolo wrestled with a total of 1,400 mm of rain while Barbaresco strolled by with just 750 mm.

That still doesn’t explain the style difference, though, between Barbaresco’s gentleness, elegance and approachability and Barolo’s force and power.  Maybe it’s all in the soil?  Once again, our theorising seems frustrated: the limey blue-grey Sant’ Agata fossil marls and the slightly sandier or siltier Lequio formation marls dominate both zones.

Let’s head back to the map again.  Remember that the best and most Nebbiolo-friendly vineyards in Barbaresco are in the village of Barbaresco itself.  Take a look where that is: on a series of rising and falling bluffs, up above the river Tànaro.  Australian Dave Fletcher, who lives and makes wine in Barbaresco, says that its ‘golden mile’ is the proportion of the zone which runs along the river.  Barolo, by contrast, lies in its own little bowl of hills, south of the Tànaro.  There is only one Barolo village close to the Tànaro, and that is Verduno – often said to be the most ‘Barbaresco-like’ of all Barolo villages.  Could this be a clue?

Now we might be getting somewhere.  Barbaresco growers often talk about an ‘air-conditioning’ effect brought by the river – it’s breezier and less prone to storms, even though the summations show it to be warmer on aggregate.  Look, too, at the shape of the main ridge lines in both Barolo and Barbaresco (not easy for the untrained eye, I admit), and you’ll see that Barbaresco’s key sites tend to be west- or east-facing, whereas Barolo has a much higher percentage of south-facing sites.  Both of these are surely significant factors.

When you talk to the locals, too, it would seem that soil differences do indeed play a role, in that Barbaresco soils tend to be somewhat sandier, softer and warmer than Barolo soils, even though the formations are the same.  The Lequio formation in Serralunga, for example, contains less than 20 per cent sand, whereas the same formation in Treiso and Neive contains about 30 per cent sand.  And in general the Langhe soils tend to get sandier as they approach the Tànaro; Roero, on the north side of the river opposite the village of Barbaresco, is almost pure sand.  More sand means less clay in the mix, and less clay will tend to mean less retained water – which in turn is critically important for polyphenolic development.

So that’s my provisional answer to the question as to why Barbaresco differs from Barolo: proximity of the river, aspect of the main slopes and percentages of sand in the soil.

What drinkers rather than wine students should remember, though, is that we are not talking about ‘better’ and ‘worse’ here; we are talking about ‘different’.  The virtues of the finest Langhe Nebbiolo – its detail, its refinement, its grace, the brightness of its balances, and its tannic generosity (with all that implies for health, digestibility and gastronomic aptitude) — are shared by both wines.  Even if Barolo didn’t exist, Barbaresco would still be up there with the world’s greatest red wines.  Here are some examples, including some semi-mature wines recently tasted in both Barbaresco and Hong Kong.


Tasting Barbaresco

N.B. Notes on some of the current releases of the Produttori del Barbaresco can be found hereand on some of the current releases of Gaja here. 

Podere Colla, Roncaglie, Barbaresco 2013

Colla is the main landholder in the small, high-quality southwest-facing cru of Roncaglie.  This clear, deep red wine has lots of lifted charm and spicy, warm fruit: strawberry and turmeric.  On the palate, it’s an undemonstrative gauze-textured classic: long, floating, elegant, with soft, lacy tannins and a powdered-stone character lending dignity to the subtle fruits.   93

Az Ag Falletto di Bruno Giacosa, Asili, Barbaresco 2012

Three of the greatest contiguous vineyards in Barbaresco are Asili, Martinenga and Rabajà.  This Giacosa wine from the first of these is clear garnet in colour, with fruits now well into the stride of maturity: creamy, complex and autumnal, with a hint of camphor and tar.  Authoritative and ample.   94

Marchese di Gréy, Martinenga, Camp Gros, Barbaresco 2010

The entire 17-ha cru of Martinenga is owned by the Marchese di Grésy: a holding of almost unique good fortune for this region of generally morsellated holdings (though note that Grésy, which only began its own winemaking and bottling in 1973, has 11 ha planted to Nebbiolo).  This cru wine comes from the portion of vines underneath Rabajà.  No doubt the Marchese would disagree, but this seems to me perfectly mature just now: fine-lined and sweet-scented, suggesting new suede or glove leather; a little shy, creamy fruit emerges later.  On the palate, the wine is soft, open and expressive, the sustained acidity and fine-milled tannins forming a single structural arc which never disconcerts, only charms.  94

 Paitin, Sori Paitin, Barbaresco 2013

The Sori Paitin is the top part of the Paitin family’s steep Serraboella holdings in Neive.  Why separate it?  “My grandfather had one strong ox,” remembers Giovanni Pasquero Elia, “and it could manage all the vineyards.  Then it died, and the new one wasn’t as strong.  It sweated and struggled in the upper section, so we decided that the difference was there and we should make a special wine.”  This is clear red in colour, with elegant, fresh and detailed aromas: straw, wild flowers, strawberries.  After this aromatic charm, the severity and dry, rousing depths of the palate come almost as a shock: virtuoso tannins, and a sense of dark, shaded woodland in a dry season.  Deeply rewarding wine.  93

 Roagna, Pajè, Barbaresco 2011

The amphitheatre-like Pajè is found on the outskirts of Barbaresco village and is Roagna’s flagship holding, hence the three separate cuvées (and a Reserva, too).  It’s hard to believe that this wine is the most modest of these, with its refined scents of walnuts, saucisson and other fermented meats, its melting wealth of tannin, its tender softness allied to concentration and poise.  94

Roagna, Pajè, Vecchie Viti, Barbaresco 2012

Old vines are seriously defined here: 75 years or more.  Other Roagna principles include rigorously organic cultivation, late harvesting and traditional, long ageing practices.  This is a dark-hued wine with the seamless harmony of aromas which traditional ageing tends to bring: autumnal red fruits, wild-mushroom complexities.  On the palate, too, there is a glowing fruit core to the wine.  Limpidity, purity and proportion: a perfectly clothed body of wine, fresh yet rich, ample yet graceful.   95

Roagna, Crichët Pajè, Barbaresco 2007

This comes not only from very old vines (80 years +) but from the most limestone-rich section of Roagna’s holding of Pajè.  No more than 1,800 bottles are produced per year.  The wine stays with its skins for up to three months, followed by ageing in large wood only; it is released at ten years.  It’s limpid and clear, but shows little brick-red as yet; the aromas seem to have gathered inner force with the years, and evoke mushrooms, prunes, warm stones and the sweetness of veal tartare in harmonious, even symphonic style.  On the palate, the clear, smooth tannins are briefly apparent, then disappear into the refined mass of flavour: damson and black raspberry liqueur for the fruits, but it’s as salty-savoury as it is fruity.  Lingering, close-textured and tapestry-like.   97

Sottimano, Pajorè, Barbaresco 2011

Pajorè is one of the finest of Treiso’s vineyards, sited on the boundary of Barbaresco village.  Andrea Sottimano’s wine is relatively deep in colour and forthright in its aromatic style: it has some ageing in small oak barrels, but it is the redcurrant and cranberry fruits which emerge with most clarity.  Deep, full and fresh in style on the palate, with firm tannins, too, which give the wine a crunchy quality.  It remains within the Barbaresco idiom, though, and softens towards shapely grace as it leaves the palate.  Impressive energy and engagement here.   93

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