The cellar tasting room at Tedeschi in Valpolicella. Amarone
Credit: Tedeschi
(Image credit: Tedeschi)

Amarone is one of those wines which evokes different feelings in different people. Some may recall enjoying the rich, curranty fruit and warming alcohol in their favourite chair on a winter’s night. A vino da meditazione which needs no accompaniment.

Others may find that it’s a food-friendly wine perfect for drinking with roast lamb or seasonal game, and some enjoy the prestige of pouring Amarone for treasured guests.

But, equally, there’s another group of wine drinkers which is turned off by Amarone’s high alcohol and boisterous reputation.

And while an increasing number of winemakers are today dialling down Amarone’s excesses to make a more drinkable – dare I say elegant – red to appeal to modern sensibilities, debates in wine circles continue to rage about whether Amarone can stand up to long ageing, or whether it should in fact be drunk in its youth.


Scroll down to see notes and scores from an exploration of Tedeschi


At the beginning of the year, I travelled to Pedemonte, in the heart of the Valpolicella Classica zone, to visit family-run Tedeschi and taste some historical vintages of their Amarone.

And for me, these absolutely demonstrated that quality Amarone can age very gracefully indeed.

Origins in Valpolicella

The Tedeschi family has been in Valpolicella since 1630, and making wine since 1824. They have just opened their archive of old vintages to the public – some 27,000 bottles in total – of which the tasting room beneath the winery houses 6,800.

Lorenzo Tedeschi began producing a dry Amarone in the 1960s, at a time when it was little known and the sweet Recioto was still the typical wine of the region produced from semi-dried grapes.

In fact, it was only in 1990 that Amarone della Valpolicella DOC was allowed to be put on the label – previously, wines were labelled as Recioto della Valpolicella DOC Amarone (as seen in the image of the 1979 vintage, below).

Today, under management by Lorenzo’s children, Antonietta, Sabrina and Riccardo, Tedeschi makes several Valpolicella and Amarone from a variety of locations.

The wines

It’s not often you get the opportunity to compare not only older vintages of Amarone, but also different bottlings from the same producer, so this occassion was a fascinating insight into how these wines can evolve, and how differences in micro-climate and soils (and winemaking, of course) can play a role in a wine’s characteristics.

Over the years, changes have been made to enhance the quality of the wines. Winemaker Riccardo Tedeschi has shortened maceration times, and works with horizontal rather than vertical tanks, which he says preserve more structure in the wines.

He also uses three 25hl French oak casks and some old (up to 50 years-old…) Slavonian oak casks, as well as cement vats and ceramic eggs which impart gentle oxygenation without the tannins that wood imparts.

Tedeschi Maternigo vineyard

Tedeschi’s Maternigo estate covers 84 hectares, with 34ha of vines and 2ha of olive trees, surrounded by woodland. Pictured here in February 2024.
(Image credit: James Button)

Marne 180

35% Corvina, 35% Corvinone, 20% Rondinella, 10% Rossignola, Oseleta, Negrara, Dindarella.

‘Marne 180’ refers to the marl (‘marne’ in Italian) soils of the Maternigo estate – situated in the hills on the east side of the Valpolicella zone at 250-480 metres above sea level. The name also refers to the 180° exposure of the vineyards there.

Made from a selection of favourable plots, Marne 180 is Tedeschi’s new ‘entry level’ Amarone (first vintage, 2015), aged in Slavonian oak barrels for around 30 months. Clay-rich soils with limestone, iron and manganese provide balance, energy and spice to the wines.

The estate now also provides the fruit for a single-vineyard Amarone Riserva, ‘Maternigo’ (not included in this tasting). So far, just two vintages have been released: 2016 and 2019, but the results are exceptional.

La Fabriseria

40% Corvina, 40% Corvinone, 15% Rondinella, 5% Oseleta.

La Fabriseria is sourced from vines grown on terraces on the hills of Valpolicella Classica on the west side of the denomination, between Fumane and Sant’Ambrogio di Valpolicella.

First produced in the 1983 vintage, just 10 vintages of this 2,500-bottle production have been released to date. These days, a portion of the bunches are left uncrushed, and it’s aged in Slavonian oak barrels for 48 months followed by a further 12 months in bottle.

Calcareous soils with iron oxide and some sandy elements over schist and clay are complemented by a dry and windy micro-climate, with large temperature swings between daytime and nighttime which preserve freshness and ensure optimal ripening.

Monte Olmi

30% Corvina, 30% Corvinone, 30% Rondinella, 10% Oseleta, Negrara, Dindarella, Croatina, Forselina.

The prestigious 2.5-hectare Monte Olmi vineyard, located close to the winery in Pedemonte di Valpolicella, in Valpolicella Classica, has been owned by the family since 1918.

Since 1964, Tedeschi has produced a single-vineyard Amarone – one of the first in Valpolicella – from this southwest-facing, dry-stone terraced vineyard.

It’s a traditional blend of pergola-trained Corvina, Corvinone, Rondinella, Oseleta, Negrara, Dindarella, Croatina and Forselina, grown on red clay and limestone soils with some accumulations of gravel.

The wine spends 48 months in Slavonian oak barrels before bottling, where it spends another six months.

a bottle of Tedeschi Amarone 1979 in the cellar.

This 1979 was the standout wine of the tasting.
(Image credit: James Button)

Amarone through the decades


Tedeschi, Capitel Monte Olmi, Recioto della Valpolicella Amarone, Classico, Veneto, Italy, 1974

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At 50 years old, this wine still has plenty to say. It's more evolved than the 1979 Recioto della Valpolicella Amarone Classico, with notes of...

1974

VenetoItaly

TedeschiRecioto della Valpolicella Amarone

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Tedeschi, Recioto della Valpolicella Amarone, Classico, Veneto, Italy, 1979

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The 1979 is impressively youthful in colour and delightfully vibrant and complex in execution. A core of sweet, ripe dark cherry and black fruits is...

1979

VenetoItaly

TedeschiRecioto della Valpolicella Amarone

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Tedeschi, La Fabriseria, Recioto della Valpolicella Amarone, Classico, Veneto, Italy, 1983

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The first vintage of La Fabriseria and it's a great start, even after all these years. Intense and salty, with subtle aromatics and savoury, truffley...

1983

VenetoItaly

TedeschiRecioto della Valpolicella Amarone

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Tedeschi, Recioto della Valpolicella Amarone, Classico, Veneto, Italy, 1985

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Fragrant, intense and well balanced, this 1985 is full of macerated red and black berries, sous bois, and a distinct mint and sage character. Good...

1985

VenetoItaly

TedeschiRecioto della Valpolicella Amarone

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Tedeschi, La Fabriseria, Recioto della Valpolicella Amarone, Classico, Veneto, Italy, 1988

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Savoury, silky and intense, it's a balanced and vertical wine with bright acidity and hints of ripe cherry, however it's also showing some signs of...

1988

VenetoItaly

TedeschiRecioto della Valpolicella Amarone

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Tedeschi, Capitel Monte Olmi, Amarone della Valpolicella, Classico, Veneto, Italy, 1990

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This 1990 Capitel Monte Olmi is full of complexity, beginning with a savoury nose of dried red berries, spice, truffle, menthol, damp earth and a...

1990

VenetoItaly

TedeschiAmarone della Valpolicella

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Tedeschi, La Fabriseria, Amarone della Valpolicella, Classico, Veneto, Italy, 1995

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Balsamic herb, truffle, earth, lavender and violet scents lead, with some lovely fresh and dried cherry notes. Fleshy and vibrant, with a sweet core of...

1995

VenetoItaly

TedeschiAmarone della Valpolicella

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Tedeschi, Amarone della Valpolicella, Classico, Veneto, Italy, 1997

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Meaty and floral, there's a sweetness in the mouth of soft strawberry, blackberry and raspberry, accompanied by spice, leather and tobacco, and with overtones of...

1997

VenetoItaly

TedeschiAmarone della Valpolicella

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Tedeschi, Capitel Monte Olmi, Amarone della Valpolicella, Classico, Veneto, Italy, 1998

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Fragrant dried fruit aromas with graphite and spice are touched by tertiary hints of wood polish and sous bois. In the mouth there's a macerated...

1998

VenetoItaly

TedeschiAmarone della Valpolicella

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Tedeschi, Capitel Monte Olmi, Amarone della Valpolicella, Classico, Veneto, Italy, 2000

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More textural than the 2005, and also less spicy, soft red and black berries are accompanied by leathery and earthy development. Long and fresh but...

2000

VenetoItaly

TedeschiAmarone della Valpolicella

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Tedeschi, Capitel Monte Olmi, Amarone della Valpolicella, Classico, Veneto, Italy, 2005

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Vibrant and herbaceous, crushed red and black berry aromas lead to a compact palate of dark fruits and spice framed by wood, earth and herbal...

2005

VenetoItaly

TedeschiAmarone della Valpolicella

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Tedeschi, Amarone della Valpolicella, Classico, Veneto, Italy, 2007

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This Amarone Classico is relatively delicate after the heft of Capitel Monte Olmi, with red and black berry aromas accompanied by sous bois, leather and...

2007

VenetoItaly

TedeschiAmarone della Valpolicella

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Tedeschi, La Fabriseria Riserva, Amarone della Valpolicella, Classico, Veneto, Italy, 2011

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There's a slight vegetal/herbaceous note lurking among the dark berry aromas. A wine of great depth and breadth, it showcases vibrant, intense and soft blackcurrant...

2011

VenetoItaly

TedeschiAmarone della Valpolicella

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Tedeschi, Capitel Monte Olmi Riserva, Amarone della Valpolicella, Classico, Veneto, Italy, 2011

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This Capitel Monte Olmi is very intense and concentrated but also with impressive freshness, ensuring great balance despite 17% abv. Silky dark fruits are supported...

2011

VenetoItaly

TedeschiAmarone della Valpolicella

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Tedeschi, Marne 180, Amarone della Valpolicella, Veneto, Italy, 2017

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This selection from the Maternigo estate, situated on calcareous marls, is wonderfully energetic, with primary fruit and a refreshing wave of acidity accompanied by aromatic...

2017

VenetoItaly

TedeschiAmarone della Valpolicella

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James Button
Regional Editor - Italy

James Button is Decanter’s regional editor for Italy, responsible for all of Decanter's Italian content in print and online.

Like many others, he started his wine career at Majestic Wine, giving him a strong grounding in the subject before successfully completing the WSET Level 4 Diploma in 2010. From 2014 to 2016 he managed the fine wine department of a startup wine company in London, before joining Decanter as digital sub-editor.

Outside of wine, James enjoys cooking, skiing, playing guitar and cycling.