Tuscan IGT wines: panel tasting results
Given the range of vintages on display, our judges were delighted with the quality they found across the board in wines based on both Sangiovese and international varieties, praising their character and good balance.
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Susan Hulme MW, Andrea Briccarello and Annette Scarfe MW tasted 74 wines with 6 Outstanding and 52 Highly Recommended.
Entry criteria: producers and UK agents were invited to submit their Tuscan red IGT wines, from the latest vintage release and priced at £8 or above in the UK
Tuscan IGT wines: panel tasting scores
74 wines tasted
Exceptional 0
Outstanding 6
Highly recommended 52
Recommended 15
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Commended 0
Fair 1
Poor 0
Faulty 0
There is a great heritage to live up to for Tuscany’s IGT wines. The classification (Indicazione Geografica Tipica) was established in 1992 as a solution to a particular problem: in the early 1980s, the rules for Chianti Classico enshrined some of the worst aspects of post-war traditions. White grapes were compulsory in the blend, diluting the quality, while international grape varieties such as Cabernet Sauvignon and Merlot were not permitted.
Those who wanted to create wines outside these restrictions had to label their wines as ‘vino da tavola’, leading to a situation in which Tuscany’s most famous wines, such as Sassicaia and Tignanello, were under Italy’s lowest wine designation.
The creation of the IGT Toscana denomination was an attempt to rectify this situation and allowed winemakers more scope to experiment. Nowadays the denomination can encompass anything from a 100% Sangiovese to a classic Bordeaux blend, or even a 100% Syrah or Montepulciano.
The wines can come from anywhere in Tuscany.
Of 74 IGT Toscana reds in this tasting, we rated six Outstanding (‘gold’) and 52 Highly recommended (‘silver’). Andrea Briccarello commented: ‘The overall quality of the tasting was stunning, with some amazing wines.’
Scroll down to see tasting notes and scores for the top Tuscan IGT wines
Almost half (46%) of the wines tasted featured international varieties as the single or predominant variety and they comprised 45% of the wines scoring 90pts or above – including four of the Outstandings.
More than half of the wines had Sangiovese as the main or only variety, yet by comparison they made up only 34% of the 90pt-plus wines. Of the 16 single-varietal Sangiovese wines, none was rated Outstanding – however, two of the Outstandings were Sangiovese/Cabernet Sauvignon/Merlot blends.
Annette Scarfe MW remarked: ‘Cabernet Sauvignon-dominant blends were the stars. Compared to the Sangiovese-led wines they showed greater purity of fruit, complexity and consistency. They also seemed most likely to age well.’ Syrah- and Cabernet Franc-based wines were also extremely successful (see top-scorers Fabbrica Pienza and Tenuta di Arceno Arcanum).
The vintages tasted mostly reflected their characters very well: 2017 (15 wines) was hot and dry with some wines exhibiting firmer, drier tannins but still with plenty of fruit; 2018 (20) produced fresher, greener wines from a cooler vintage; 2019 (12) looks as if it will be a great vintage, with the wines expressing more harmony.
See all 74 Tuscan IGT wine tasting notes
There were also individual surprises, such as the 2014 vintage (generally cooler with lots of rain in places) – all three examples from this less-than-stellar year scored well. Scarfe declared these to be ‘delicious, aromatic and elegant wines that were surprisingly youthful’.
In general, oak was very well handled, even when more evident in the wine. Some alcohol levels were naturally high, but in harmony with the wine, rather than being obtrusive. Briccarello noted: ‘There are no blockbuster wines, just lots of varietal typicity, and no sign of over-extraction. Even the hot vintages showed some restraint and poise.’
In terms of value for money, prices varied dramatically among similar-scoring wines. For those at 90pts or more, prices varied between £9-£80 a bottle, showing that there are some fantastic-value wines to be found under the IGT Toscana denomination.
Top-scoring wines from the Tuscan IGT panel tasting
The following 27 wines scored 92 points or above
The judges
Susan Hulme MW is a wine writer specialising in Italian wines. A DWWA judge, she travels regularly to Italian wine regions and runs her own wine education and consultancy company, Vintuition, providing training and courses for both wine trade and public.
Andrea Briccarello is business development manager at Jascots, the specialist on-trade wine merchant. Formerly head sommelier and wine buyer at Galvin restaurant group, he also worked previously as a brand manager for Bisol Prosecco, and judges regularly for the DWWA.
Annette Scarfe MW is a wine consultant with a focus on the on-trade, and a WSET and Bordeaux educator. Based in Singapore, she is part of Moët Hennessy Wine Division’s Estates & Wines team, and also judges for numerous publications and competitions around the world, including the DWWA.
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Susan Hulme MW runs Vintuition, her own wine education and consultancy company, based in Windsor, which provides wine-related training and courses for both the trade and members of the public. A major part of her work is running in-house training and WSET exams for sales executives at some of the leading on-trade and retail wine companies. Aside from judging Decanter World Wine Awards, she also is a regular critic on Decanter’s panel tastings and judges for the International Wine Competition. She is a member of the Circle of Wine Writers, a former chairman of the Association of Wine Educators (AWE) and the current editor of the AWE newsletter. Since 2007 she has been on the Institute of Masters of Wine events committee. She became a Master of Wine in 2005, winning the Madame Bollinger tasting medal for outstanding performance in the tasting exam.