Tuscany DOCs
Credit: undefined /iStock/Getty Images
(Image credit: undefined /iStock/Getty Images)

Cosimo III de’ Medici (1642-1723) was the penultimate Grand Duke of Tuscany and the least illustrious of the de’ Medici dynasty.

He has gone down in history as a pretty ineffectual ruler, but he was responsible for one piece of legislation which lends a positive note to an otherwise somewhat tarnished reputation.

Cosimo created a precursor of the Italian DOC system which was the first of its kind in Europe, preceding the French AOC – based on the same principles – by over 100 years.


Scroll down for wines from some of Europe’s first DOCs


The first appellations

On 24 September 1716, the Grand Duke published a ‘Bando’ (public announcement) which defined the production areas of four wines – Chianti, Pomino, Carmignano and Vald’Arno di Sopra – and prohibited the use of these names for any wine produced outside the established areas.

A special commission was charged with enforcing the legislation in order to prevent fraudulent trade of the wines cited in the Bando.

The Bando is a remarkable document in many ways. It anticipated the principle of naming wines by their place of origin rather than as a type, which lies at the foundations of European wine law.

It also pre-empted modern methods of defining viticultural areas.

The system of following natural and communal boundaries used in the Bando is exactly that adopted in modern DOC regulations in Italy. It was also, like modern wine legislation, firmly protectionist.

Only the Grand Duchy could produce a wine called ‘Chianti’, for example, and so wines from the neighbouring State of Siena were excluded from the use of the name.

The boundaries of the wine districts cited in the Bando, all of which now have DOC/DOCG status, have shifted over time, but the original descriptions remain as relevant as ever as a fascinating key to their terroirs.

Chianti Classico

Radda in Chianti Classico, Tuscany

(Image credit: Credit Unknown)

Chianti occupied the biggest territory described in Cosimo’s Bando.

Stretching from a point north of the town of Greve to the southern border of the Duchy with the State of Siena, and taking in the villages of the medieval Lega del Chianti of Radda, Gaiole and Castellina and well as citing the hamlet of Panzano which lies above the slopes of the now renowned Conca d’Oro.

Purists would say that Cosimo’s commission got it right. The area falls in the heart of what is now Chianti Classico, arguably the most representative part of the DOCG, with its earthy, firmly structured wines and typical Sangiovese bite.

The boundaries of the denomination now extend beyond those of the Bando, taking in part of the commune of Castelnuovo Berardenga to the south and in part or whole the communes to the west: Poggibonsi, Barberino Val d’Elsa, Tavernelle Val di Pesa and San Casciano Val di Pesa.

But if there is a ‘classico’ zone within the Classico, with the exception of the curious mention of a hill north of Greve, Cosimo’s commission nailed it.

Five of Chianti Classico’s 11 Unità Geografica Aggiuntiva (UGAs) are named in the Bando: Radda, Gaiole, Panzano, Castellina and Greve.

Below you can find a selection of benchmark producers from these villages, all at the top of their game in their current vintages, tasted at the Chianti Classico Consorzio’s annual presentation.

‘What makes Pomino special is its long history with Chardonnay.’

Pomino

Pomino is the area which has undergone the greatest changes to its boundaries. In Cosimo’s Bando, Pomino stretched over an extensive area between the rivers of the Sieve and the Arno, nearly all of which today falls into the DOCG of Chianti Rufina.

The modern Pomino DOC occupies a much smaller area of just over 60ha to the northeast of Rufina, which to all intents and purposes is a Frescobaldi monopole.

Rising on stony slopes to over 700m at the foot of the Appenines, where deciduous woods give way to pine forests, Pomino constitutes a quite unique microcosm in terms of its size and position, but also its wines.

What makes Pomino special is its long history with Chardonnay. The variety was brought to the Castello di Pomino by the then owner, Vittorio degli Albizi, along with

Pinot Blanc, Gris and Noir in the 1850s.

When Vittorio’s sister, Leonia married into the Frescobaldi family, the Florentine family maintained the production and, among other things, picked up a medal at the 1878 Paris Exhibition for a ‘Chablis di Pomino’.

The single-vineyard Benefizio, which was first produced in 1973 and was probably Italy’s first example of a barrel-fermented Chardonnay, continues the tradition.

It is a testimony to Albizi’s foresight in identifying a terroir capable of classic white wines with a freshness, but also an ageing capacity, which was demonstrated in a vertical tasting presented by Frescobaldi in February this year.

Carmignano

At the time when Cosimo issued his Bando, the area designated for the production of Carmignano wine was essentially the property of the Medici.

In fact its boundaries were defined with reference to the walls of the family’s vast hunting reserve, which accounted for most of what today is the commune of Carmignano.

Originally subsumed under the DOC of Chianti Montalbano, Carmignano gained its own independent denomination in 1975, and was upgraded to DOCG in 1990.

The area of 135ha of the modern DOCG is probably virtually the same as that described in Cosimo’s Bando, delimited as it is by the communal boundaries of Carmignano and the tiny neighbouring Poggio a Caiano.

There is continuity also in the wines themselves. Carmignano is the only one of Tuscany’s DOC/Gs which prescribes the use of Cabernet (up to 20% Cabernet Sauvignon and/or Franc) in a blend with Sangiovese.

Cabernet Sauvignon was introduced into Tuscany by Caterina de’ Medici in the 16th century and it is safe to presume that it was used in the wines of Carmignano at the time of Cosimo.

Cabernet ripens well in the warm hills of Montalbano, giving texture and rich dark fruit notes to annata wines and structure to the Riservas, which are among the longest lived of all Tuscany’s Sangiovese-based wines.

Val d‘Arno di Sopra

Cosimo decreed that the wines of Val d’Arno di Sopra should come from an area which stretches for around 50km along the upper valley of the Arno, bordered by the Casentino on the right bank of the river and Monti del Chianti on the left.

Like Carmignano, Cosimo’s Val d’Arno di Sopra was swallowed up in the 1960s by the expansion of the Chianti DOC into satellite zones – in this case the Colli Aretini – and it only gained its independence with the granting of DOC status in 2011.

The DOC deviated from the Bando by limiting the production area to the province of Arezzo, while Cosimo had included part of what is now the province of Firenze, but it maintained significant topographical references by creating sub-zones for the right bank (Pratomagno) and the left bank (Pietraviva).

The most recent update of the DO in 2024 restored Cosimo’s boundaries but removed the sub-zones and replaced them with the new single-vineyard ‘vigna’ menzione.

Production is extremely eclectic, going from top drawer international varietals through a range of native grapes, which alongside the familiar Malvasia, Trebbiano and Sangiovese, include a raft of rarities like the white Orpicchio and the red Barsaglina, Caberlot, Gralima and Pugnitello.

If I had to choose a go-to grape, it would be Sangiovese, which in the Val d’Arno makes wines with distinctive, bright red fruit, sweet floral aromas and silky tannins. But the joy of the Val d’Arno is its diversity.

Below is a selection of wines from the 23 members of the producers’ Consorzio (all of whom are either certified organic or in the process of conversion), tasted at the presentation of the new vintages in February.


Great wines from Tuscany’s earliest recognised regions


Castello di Fonterutoli, Chianti Classico, Gran Selezione Castellina, Tuscany, Italy, 2021

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Ripe, dark fruit aromas accompany great depth of flavour, fine natural tannins, and aromatic complexity on the long finish. Mazzei were one of the first producers to espouse the new Chianti Classico Gran Selezione category when it was introduced in 2014. Of the three examples they now produce, this one – from the historic vineyards of the Castello – is the most representative of the combination of power and elegance typical of the Castellina UGA. One of the top Gran Selezione of the vintage.

2021

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Castello di FonterutoliChianti Classico

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Fontodi, Vigna del Sorbo, Chianti Classico, Gran Selezione Panzano, Tuscany, Italy, 2021

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Fontodi’s Vigna del Sorbo is one of the classic sites of the Conca d’Oro, which produces wines with the body and phenolic ripeness associated with Panzano, but which also retain a vein of freshness thanks to the southwest-facing aspect. This 2021 has a typically earthy nose, a compact, concentrated palate, and a very satisfyingly grippy finish with a return of ripe dark fruit. The tannins need a little time to loosen up, but this is a thoroughbred.

2021

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FontodiChianti Classico

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Caparsa, Chianti Classico, Tuscany, Italy, 2021

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A wine with precise violet and iris scents with hints of blackberry at the back, and a long, juicy palate with a minerally finish. Paolo Cianferoni is the model of the grower-producer, with the intimate knowledge of and attachment to the terroir that comes with living the vineyard. He is no slouch in the cellar either, and is not afraid of challenging oenological conventions. His Chianti Classico ‘annata’ ferments with its own yeasts and ages not in oak but in cement vats. Pure drinking pleasure.

2021

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CaparsaChianti Classico

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Riecine, Chianti Classico, Tuscany, Italy, 2023

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Precise berry fruit aromas and a reactive palate with fine-weave tannins, full of energy. Riecine is renowned for the cult of perfectionism which has been handed down through a succession of owners. The trait comes to the fore in challenging vintages such as 2023, when continual rain through May and June caused widespread disease, and the month of August saw days of baking heat. Riecine responded with a wine of elegance. Impeccable.

2023

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RiecineChianti Classico

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Querciabella, Riserva, Chianti Classico, Tuscany, Italy, 2021

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The 2021 vintage has ripe cherry on the nose, typical Greve softness on the palate, and a long and complex fruit and floral finish with a lightly spicy nuance. For its Riserva, Querciabella uses fruit from the slopes above its cellars at Ruffoli, together with a quota from the high, sandy soils of Lamole and another from a plot in Gaiole. The lots ferment and age separately, to be assembled according to the vintage to produce a Riserva in which the fruit, the tannins, the acidity and the alcohol are all in complementary balance. A very refined Riserva.

2021

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QuerciabellaChianti Classico

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Castello di Pomino, Benefizio Riserva, Pomino, Tuscany, Italy, 2023

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The combination of a cool and rainy spring and warm and dry August and September resulted in a late harvest, which comes through in the complexity of aroma with its lovely ripe yellow apple and apricot complemented by floral hedgerow. The palate starts soft, round and quite fleshy, and follows through with appetising freshness to a very precise if slightly low-key aromatic finish.

2023

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Castello di PominoPomino

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Castello di Pomino, Benefizio Riserva, Pomino, Tuscany, Italy, 2014

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The nose has intense sweet herbs and spice, some bright citrus, and a touch of flinty minerals in the background. The summer began with unusually high temperatures, but ripening was then slowed down by the rain and cooler period that followed, and only completed with the return of the sun in September. Picked late in that month, the grapes had good sugar but also higher than average acidity, which gives this vintage very attractive energy. Dry, long and tangy with a very succulent finish, this has great elegance and is drinking well now.

2014

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Castello di PominoPomino

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Castello di Pomino, Benefizio Riserva, Pomino, Tuscany, Italy, 2009

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The deeper straw shade shows some evolution, which is apparent too on the delicately nuanced and slightly understated nose. The palate is tight and linear, with a minerally finish. A late-budding vintage with a rainy June and July, but a warm second half of the summer which accelerated ripening. The grapes were picked slightly earlier than the norm, with good sugar/acid balance. A little drying but very refined.

2009

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Castello di PominoPomino

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Castello di Pomino, Benefizio, Pomino, Tuscany, Italy, 1990

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The nose has incredible freshness with some of the sweet herbal aromas of the 2014 and a distinctive smoky mineral background. The palate is slimline but intense, crisp and long, with a sur-lie character on the finish which combines with notes of sweet yellow apples. A very cold winter was followed by a cold, rainy spring, and summer temperatures were often below the seasonal norms. Although the run up to the harvest was dry and sunny, this was a decidedly cool vintage, with lower sugar and higher acidity than average.

1990

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Castello di PominoPomino

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Tenuta di Capezzana, Ugo Contini Bonacossi, Toscana, Tuscany, Italy, 2019

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On the nose there is wild berry fruit and delicate spices, with a sensation of warm, damp earth in the background. The palate is long, tight and direct, with huge depth of flavour and great savoury impact on the finish. Dedicated to Conte Ugo Contini Bonacossi, who was responsible for the reorganisation of the Tenuta in the 1960s that gave shape to the modern estate, this monovarietal Sangiovese comes from a vineyard planted by the Conte himself and produced for the first time in 2013. Still very compact, this is a wine with a radiant future.

2019

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Tenuta di CapezzanaToscana

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Fattoria Ambra, Montalbiolo, Carmignano, Riserva, Tuscany, Italy, 2021

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One of the oldest estates in Carmignano, Ambra has been in the same family since 1870. The vineyards currently extend over 24ha in some of the top sites of the DOCG, including the southeast-facing slopes of Montalbiolo, which is the source of this Riserva. Owner-winemaker Giuseppe Rigoli reduces the Cabernet in favour of Canaiolo as the main complementary variety, to create a wine with a delicious red cherry and rosehip character, extra-fine tannins, and a complex aromatic finish. Super precision and great personality.

2021

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Fattoria AmbraCarmignano

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Tenuta di Capezzana, Villa di Capezzana, Carmignano, Tuscany, Italy, 2021

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The low yielding 2021 vintage gave a wine of great concentration, with a saturated purple-ruby shade and a distinctly phenolic nose with notes of peat and newsprint in front of the ripe fruit. The palate is dense and compact, with tannins built to take the wine into future decades and a vigorous, grippy finish. Released after a minimum of three years, Villa di Capezzana technically qualifies as a Riserva but the policy has always been to maintain the original label, as Carmignano tout court. Made from an 80/20 Sangiovese/Cabernet Sauvignon blend, this is a serious, slightly austere wine which needs time.

2021

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Tenuta di CapezzanaCarmignano

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Fabrizio Pratesi, Circolo Rosso, Carmignano, Riserva, Tuscany, Italy, 2021

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The 2021 is a deep, inky-ruby shade and has aromas of sweet fruit, carob and white pepper. On the palate it is dense and full, with some oak tannins and and a long, concentrated finish. Founded in 1875, Pratesi is another of the oldest estates in the denomination. From 10ha of high density, organic vineyards, it makes the full range of IGT and DOCG wines, including this limited production Riserva. The house style sees the use of Merlot in the blend and a high percentage of new oak to make rich, fruit-driven wines with a very contemporary appeal. Drinking now, but worth keeping.

2021

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Fabrizio PratesiCarmignano

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Tenute Le Farnete, Carmignano, Tuscany, Italy, 2022

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From the hot and dry 2022 vintage, this has a warm and earthy aromas with hints of pepper and charcoal, and a palate with a glossy entry and a long finish with sensations of blackcurrant fruit and liquorice. Tenute Le Farnete was acquired in 1990 by the Pierazzuoli family, who also own the neighbouring Cantagallo estate where they produce a range of wines in the Montalbano DOCG. This Carmignano comes from 11ha of vines on alberese soils. The winery slogan is ‘one bottle per plant’ and the low yields and extreme bunch selection give concentrated wines with a distinctive terroir character. A great result from a difficult vintage.

2022

TuscanyItaly

Tenute Le FarneteCarmignano

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Tenuta di Capezzana, Villa di Capezzana, Carmignano, Tuscany, Italy, 1925

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The first vintage of a wine of this name was 1925, the year before the Contini Bonacossi family bought the Tenuta. Tasting it in its centenary year, in February 2025, was a remarkable experience. My stream-of consciousness-notes went like this: ‘Label intact, very good level, good cork, pale peach shade, nose perfectly integral, without a shadow of oxidation, sweet orange peel, wood ash, cinnamon, wild strawberry, aniseed... intense, bone dry, savoury, mouthwatering, green tea, sweet liquorice, fascinating note of pomegranate. Faded away like a ghost from the past, but the memory remains.’

1925

TuscanyItaly

Tenuta di CapezzanaCarmignano

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Podere Il Carnasciale, Il Caberlot, Toscana, Tuscany, Italy, 2021

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This wine has a head-spinning intensity of sour berry, violet and Mediterranean herb aromas, which carry through onto a vibrant palate that combines depth of flavour with a texture of extreme refinement. Caberlot is a presumed natural crossing of Cabernet Franc and Merlot that was discovered by the ampelographer and agronomist Remigio Bordini in the hills of the Colli Euganei. It was brought to the Carnasciale estate in the Valdarno by the German owner Wolf Rogosky at the beginning of the 1980s. The first vintage, from 3ha of super-high density vines planted exclusively to the variety, came out in 1988. Bottled only in magnums, the current production is around 3,000 units. An iconic wine with a price to match.

2021

TuscanyItaly

Podere Il CarnascialeToscana

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Petrolo, Bòggina A, Valdarno di Sopra, Tuscany, Italy, 2023

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Very pale in the glass and it opens slowly but very precisely on the nose, with pure varietal aromas of mulberry and violets. The palate is juicy and fluid, with an airy texture and a tangy finish. Luca Sanjust’s grandfather first planted the Bòggina vineyard in 1947. The plot currently is the source of different selections of Sangiovese, each identified by a letter. Bòggina ‘A’ is made in terracotta amphora, where it ferments with its own yeasts in contact with the skins for eight months and then returns to the same vessels to age for another five months. The first editions of the wine Petrolo made in this way were a little uncertain, but recent vintages have hit the spot, harnessing the potential of amphora to make deliciously immediate, soft and fragrant wines. The 2023 is delicious.

2023

TuscanyItaly

PetroloValdarno di Sopra

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Fattoria Fazzuoli, Sortito, Toscana, Tuscany, Italy, 2022

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Ripe red cherry aromas introduce a finely balanced palate with grape tannins that are soft and dry, and the finish long and savoury. Federico Fazzuoli was familiar to Italian audiences as the presenter of a long running series of agricultural programmes on national television. When he gave up his TV career, he returned to the farm which had been in his family since the mid-19th century to start producing organic oil and wine. The 8ha property is located on the right bank of the Arno, at the foot of the Pratomagno cited by Cosimo in his Bando, and is planted to native varieties in traditional, wide-spaced training systems. His Sortito is a monovarietal Sangiovese from old vines vinified without added sulphites, which ages exclusively in cement vats. Expertly executed in a traditional style.

2022

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Fattoria FazzuoliToscana

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Il Borro, Petruna in Anfora, Valdarno di Sopra, Tuscany, Italy, 2020

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The nose is more floral-spicy than fruit focused, with a savoury phenolic edge. On the palate there is lovely balance, with slightly grainy natural tannins, tangy underlying acidity, and a warm finish with a return of the sweet spices. The Borro estate was bought by Ferruccio Ferragamo of the famous fashion house in 1993, and in the years that followed he created a model winery with 87ha of organic vineyards and state of the art cellars. The estate is now managed by his son Salvatore, who together with consultant oenologist Stefano Chioccoli, has introduced a number of innovations into the production including this Sangiovese vinified in unglazed amphora, with 11 months of post-fermentation ageing on the skins. Outside the canons of conventional vinification of Sangiovese; this is a wine with a lot of personality.

2020

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Il BorroValdarno di Sopra

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Ejamu, Rabizza, Toscana, Tuscany, Italy, 2021

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It has the bright red fruit and violet aromas typical of the Valdarno, and a palate with a juicy progression, finely tuned tannins, and a zippy Sangiovese finish. This brand new winery was founded with the acquisition of the property in 2018, and came out with its first wines in 2021. The owners, the Luppino family, produced olive oil in Calabria before they moved to Tuscany. The name ‘Ejamu’ in Calabrian dialect means ‘let’s start again’. The estate is at Loro Ciuffenna, on the higher slopes on the right bank of the Arno. Rabizza is the name of the vineyard planted with old-vine Sangiovese, the source of this selection. A very promising debut.

2021

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EjamuToscana

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Richard Baudains
Decanter Magazine, Regional Chair for Veneto DWWA 2019

Richard Baudains was born and bred in Jersey in the Channel Islands and trained to be a teacher of English as a foreign language. After several years in various foreign climes, Baudains settled down in beautiful Friuli-Venezia Giulia, having had the good fortune to reside previously in the winemaking regions of Piemonte, Tuscany, Liguria and Trentino-Alto Adige. Baudains wrote his first article for Decanter in 1989 and has been a regular contributor on Italian wines ever since. His day job as director of a language school conveniently leaves time for a range of wine-related activities including writing for the Slow wine guide, leading tastings and lecturing in wine journalism at L’Università degli Studi di Scienze Gastronomiche and for the web-based Wine Scholars’ Guild.