Bordeaux 2025: Terroir-transparency on full display in Pessac–Léognan & Graves
The mix of terroirs and styles highlights the ups and downs of the vintage with gravel and clay-limestone soils offering strikingly different results.
At a glance: Pessac & Graves 2025
Average yield: 31hl/ha for reds and 27hl/ha for whites (low but quality-focused).
Clay-limestone terroirs performed well, with some estates achieving relatively higher yields than Pomerol or St-Julien thanks to deep root systems and the beneficial late-August rain.
Pessac-Léognan and Graves produced wines of striking purity and mineral precision, but the vintage exposed clear differences across the appellation’s patchwork of terroirs – both for styles and yields.
However, Fabien Teitgen at Château Smith Haut Lafitte described 2025 as the third warmest year after 2022 and 2023 but with, ‘more rain in 2025 than 2022’ and cooler minimum temperatures.
Gravel-dominant sites, while well-drained, were more vulnerable to the prolonged summer drought and recorded tighter, lower-yielding crops.
Meanwhile, estates with deeper clay or limestone influence benefited from better water retention and cooler night-time temperatures, delivering more balanced, vibrant wines with fresher acidity and refined tannins.
Despite the, at times intense, heat, Jean-Jacques Bonnie owner of Château Malartic-Lagravière observed that the vineyard, ‘didn’t look like it was feeling the stress… [we] didn’t have the long and tiring heat like in 2022’.
As elsewhere in the region, the late-August rains (lighter here than in the northern Médoc but still transformative) eased hydric stress without causing dilution, while early harvesting for white wines preserved exceptional aromatics and acidity.
The overall result is elegant, terroir-transparent wines – cool fruit, wet-stone and graphite minerality, with Cabernet freshness balancing Merlot roundness – emphasising vibrancy, texture and energy rather than sheer power or opulence.
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Many winemakers noted a successful marriage of 2010/2016 structure with 2022 ripeness but without the heat or heaviness, though the vintage required careful extraction and sorting to manage thick, drought-stressed skins.
A paradox vintage
Jean-Christophe Mau of Château Brown
As always, temperature extremes call for more attention in the cellar.
At Château Pape Clément winemaker Matt Turner focused on, ‘texture and energy and vibrancy rather than just power’, using optical sorting and careful extraction on thick drought-stressed skins.
Turner was joined by Pablo Laborde (formerly of Penfolds/Treasury Wine Estates), who as group director in early 2026, overseeing blending and ageing across the portfolio – including a major refocus at Château Pape Clément on its historic heart plots in Pessac (fruit from Martillac is now directed to the second wine, Clémentin)
There were many comparisons to 2022 as well, but with some nuance.
Guillaume Alexandre Marx, commercial director for Domaine Clarence Dillon, the owner of Château Haut-Brion, Château La Mission Haut-Brion, and Château Quintus said: ‘For us 2025 is really in the style 2010, 2016 and 2022 – a combination of the three. We have fruit ripeness and a lot of freshness.’
However, Guillaume Pouthier director of Château Les Carmes Haut-Brion called 2025, ‘a paradox vintage – warm and dry with lots of tannins,’ but ‘there’s less volume in the mouth because of less alcohol and less glycerol’.
He said there, ‘is the same energy as 2022 but the balance is different’.
Further reading from this report
- Pomerol
- St-Emilion
- Dry whites
- Cru Bourgeois
- Pauillac
- St-Estèphe
- Margaux
- St-Julien
- Sauternes
Guillaume Pouthier, director of Château Les Carmes Haut-Brion, in chipper mood
Bordeaux 2025: Top wines from Pessac & Graves
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After studying multi-media journalism at university, Georgie started her wine career at Decanter as deputy editor of Decanter.com in 2011 where she stayed for several years covering wine news and events whilst learning about everything the wine world has to offer.
She now lives in Bordeaux in southwest France where she writes about and tastes the region's wines for Decanter. She is also editor of Decanter Premium.